Ghahwagi, Karim - The Liminal Void
Three souls wear witness to, and record, high crimes and atrocities.
While some crimes may be against the state, and others are vendettas or rivalries, the majority seem to have been inflicted by the authority. The Regime.
The tone is Kafka and Orwell, the domain utterly totalitarian.
How is the narrator even permitted to engage in the archiving of knowledge dangerous to the state?
Therein hangs the novella, as the trio journey from one secure location to one remote.
While broken into a handful of chapters, I still found this a churn to navigate.
The prose was … no, the syntax, the word arrangement and sentence sequence was what I found murky to read and interpret.
On reflection, I decided this must be by design, as other works I have read by Ghahwagi were easier.
If deliberate, I wondered how thin is the border between stylistic flourish and mannerisms.
Sammy Hagar fans, take note: I did not count, but the word “crimson” must be used forty times or more.
Should someone suggest leitmotif, I will shrug and agree.
I was not so much disappointed as puzzled by my reactions to this.
Other Ghahwagi works I have enjoyed greatly.