Thanks for the references. I’ll make some comparison shots of those shots with two grades: my current and a theatre print accurate version. It definitely sounds like people are interested in versions with colors accurate to the theatre prints, so I really think I should release those as soon as I can, as those can be achieved with the same grade applied across the entirety of a film. So likely there could be three versions of this project: 4K theatrical 35mm colors recreation, 4K filmized singular grade, 4K filmized shot-by-shot grade.

I’ve been away from my personal computer for a month and a half due to health issues, but I should be returning home in about 2 weeks. Though as I’ve said before, I can really only make small clips and screenshots until I can purchase or build myself a new computer since my deaktop broke down last year. I’m also still heavily interested in potential official 4K releases, though I’m quite worried they’ll still be screwed up.