Yes, TLJ is postmodern. But does that mean it’s bad? I actually felt like the postmodern attitude of TLJ was a nice change of pace, especially after the boring corporate nostalgia bait that was TFA.
Well, I think it’s a little late in the game to shift gears like that, TLJ being the eighth chapter of an ongoing story and all. However, I would like to steer the discussion away from good, or bad, and focus more on the analysis of the film, and what its creator intended.