All I am doing is hard-coding the Pro-logic II soundtrack that you would normally get from a Pro-Logic II receiver, and storing it in compressed form. Is this really so difficult for you to understand? It's a tedious process, but it sounds incredible. I would imagine many of the so-called "5.1" mixes you've heard (if any) weren't done correctly, since the method used was very difficult to locate and fine-tune.
It's not like my soundtrack is causing you physical harm, right? Quit making this into a pissing contest.