Better, I think, to start transitioning everything over to the new frame-complete standard now.
That makes sense if other video preservation projects join in. But that’s been asked and answered. Other video preservation projects are not joining in. So here we are, so providing compatibility releases of 4K83 seems to be a stopgap… and possibly an indefinite one.
The only other project I recall you mentioning is Despecialized. Are there any other potentially ongoing Return of the Jedi projects that aren’t based on 4K83?
I mean, I can understand why nobody feels the need to go back and try to add two frames to projects that were released years ago, but has anybody actually gone and checked the sources for all of these alternate audio tracks? Aren’t some of them from VHS tapes and laserdiscs? The original film always contained these “extra” frames and no doubt many of the PAL and NTSC sources used to create those alternate tracks actually still had them. We already know that they don’t all sync perfectly to the GOUT.
I also think it is fair to assume that any future Return of the Jedi projects would either be based on 4K83 or on a new official 4K Bluray Release from Lucasfilm, or most likely some combination of both. If Harmy ever feels the need to revisit ROTJ Despecialized, these two sources will likely be his starting point, not the current Bluray, nor any previous version of Despecialized (unless it’s used purely as a color reference). Which means, going forward, the complete film as presented in 4K83 will become the new standard for Return of the Jedi.
And Frankly, when 4K83 already looks like this:
Why is anyone still watching GOUT or patched Bluray versions of this film anyway?