Buzzfeed just reported that a script has been completed for a KOTOR movie.
Don’t trust Buzzfeed.
I think there’d be too many expectations from a lot of people that’d potentially ruin the films whichever way they go.
I’d be all in for more personal stories set during the Clone War, I think it’d really do wonders for that time period. We get some of it from the TV shows, but nothing actually good.
But yeah if they want to stay away from the main saga at all costs I think the old republic era is definitely the most logical pick. I really don’t want it to be a Jedi story though, I think it’d be cool to see more Rogue One-like films.
You say there’d be too many expectations, but the Clone Wars has an even greater chance of “offending” people as it is directly connected to the films. And while I love the era there are many OT fans who don’t want to return to the PT, and I respect that… TOR is a fresh start for everyone.
I think about it like the MCU. You have a ton of comics/books/games on the era, and the producers are now free to tell their own story. Most complaints regarding the ST from fans has been towards inconsistent writing (agree or disagree). But by adapting characters you would be more in an MCU position.
Man, the MCU is a lot of things but I don’t think I would ever say that it has “consistent writing.” The less SW can be like the MCU the better honestly (and I love the MCU).
Well, one thing you have to admit is how happy and united the fandom is. A consistent vision is my stab at the answer to that. While any piece of new SW material will divide people. I was convinced Endgame would divide people for providing a definitive ending… but that’s not the case.
I couldn’t care less whether the fandom is divided or not. I care about the quality of the movie. People love Endgame but that’s because they created the film in such a way that their main goal was fan service/not making fans mad. I think that’s a poor way to approach a film when it’s at the expense of the story (which I’d argue is the case with that film). But anyway, fans don’t care and eat it up. That’s why it’s well received, not because the MCU has a “consistent vision” which is a claim that has no basis in reality.
The big reason Endgame worked for me is that most of the characters got resonant, consistent conclusions to their arcs. I guess that could be called fanservice, since it’s something that fans of the characters wanted to see. This is in Stark contrast to, for example, the final season of Game of Thrones. Since the showrunners were supposedly working off of the author’s own notes I can only assume that the story beats were what Martin intended when he handed them off, but the rushed execution resulted in character arcs which became incoherent or dropped entirely by the end of the show. It’s the case of story over character, and it is much worse than the Endgame approach of character over story. I think the ST so far also has this problem (with TLJ being the worst offender so far) to the point that almost every major character is uncoupled from their defining flaw or trauma when it is convenient to the story.
When I say Endgame priotized fan service over story, understand that I consider character to be at least half of what makes a story. I would actually say Thrones is a perfect comparison to Endgame, where the conclusions make sense for the characters in a broad sense but none of the legwork is put in to make them feel earned or satisfying. The only glaring difference being that the MCU has never been all that invested in consistent and clear character development, whereas Thrones has always been very granular and gradual in that regard so descending into mostly spectacle only ends up feeling wrong for one of them (the other difference being that the MCU conclusions are crowd pleasing).
I’d say they both make TLJ seem like a masterpiece of character work in comparison (which is not necessarily something I would call it). TLJ is the only of the three that actually seems to take any interest in putting time into coherent character progression.
Agreed. TLJ’s fatal flaw to me is that I can’t, no matter how hard I try, get behind Rey. It’s of course due to her very unearned and unbelieavable force powers, IMO. It’s the only major problem I have with the movie - which I’ve come to the conclusion is the consequence of two things: the lack of a time gap between the TLJ and TFA (RIP suspension of disbelief that’d always been there for the saga to make us believe in off-screen progress throughout the years) and TFA’s portrayal of her. Sure TLJ took it even further, but it all started in TFA.
Still, her character progresses. One thing I’d understand people criticizing TLJ on is that it re-utilizes some of the very same arcs from TFA. Rey’s works very well, especially due to so little time having passed between the two films and the expansion on the ‘belonging’ aspect of her character. Finn’s character arc, for me, works well too. In TFA, he grew from running away to fighting for something bigger than himself - his friends. In TLJ, he goes from fighting for something bigger than himself but still something that mattered ‘only’ to him to fighting for something bigger than every one person can be - a cause. Poe’s arc in this movie is wonderful, and it’s the only part of the film where I don’t understand so many anger towards. I mean sure you can pick it apart, and criticize military strategy or whatever, but… ah whatever. Rose had a very nice character arc as well, going from the naive girl that believes in the black and white world to someone that finally sees grey and the reality and sadness of war, understands the cost and yet still believes in good. Unfortunately her character is part of a scene I dislike very much (“Not fighting what we hate - saving what we love”.) due to me believing Finn would’ve been able to take down the cannon while sacrificing himself and fulfilling his character arc, but oh well. He does have to be alive for the sequel, I guess.
Luke’s character arc in the film is definitely the cherry on top. I’m not really a fan of how it was set up, and I don’t fully buy what happened between him and Ben, but Hamill’s acting sells it enough for me to be able to fully enjoy the deconstruction of his character to his very core and the arc’s eventual fulfillment, in the most beautiful shot of the film.
Despite TLJ being far from a favorite of mine, I do not see where in the film do any characters “lack their defining flaw because plot”. I’d love to hear you expand on that, NeverarGreat. I don’t watch GOT so I can’t talk about that, but I saw Endgame as the ‘perfect’ ending to every one of the characters, Tony being the highlight due to being the best developed MCU character by a country mile. Cap also had a great sendoff and I quite liked Thor in the film, except for how some of the humor around him worked and all that. The other characters aren’t really worth mentioning I don’t think, because nothing really big happens to them. Maybe Black Widow but she didn’t really change that much in spite of everything that happened.
Edit: I probably derailed the thread pretty bad. Sorry OP and mods.
The flaws are primarily a problem of the two main characters, and begin in TFA:
I would say Finn’s defining trauma is that of being a Stormtrooper realizing in his first battle that he’s not a killer. However, he immediately starts killing his own mates when the story needs him to, and this aspect of his character is never explored again. Rey and her powers have been discussed enough, suffice to say that if her powers came from a dark place based on her hard life it would make infinitely more sense than casting her as a paragon of goodness and light.
Anyway, back to the subject of the thread.