Agreed. While obviously Adywan has shown off his incredible skill, if anything his projects are a testament to the growing democratization of filmmaking. If a man in his garage can do all of that, then others can do it as well.

That’s cool snooker! It definitely kind of alleviates an issue with a lot of scenes feeling a bit flat. I know this is like a first pass trough, but it might hard to do a lot of since you have to rotoscope around the actors for a new skyline, and it could be hard to do seamlessly. But I think that works if that is the pace of the scene for your edit! Were you planning do this for other scenes in the movies as well?