Well, I wouldn’t call this trivially easy, but here are two versions of the extra frame, color matched to the DNR and No-DNR v1.1. Looks like the No DNR version uses the actual film print, while the DNR version substitutes the shot from the blu ray.
It’s all relative: it’s trivially easy compared to restoring the entire film 😃 But you’re right, it’s still a fair amount of work, so thank you for doing that.
Actually they are both from the Bluray - the film prints are all missing a bunch of frames right here and it proved very difficult to transition from the film frames we did have to the bluray frames without it being obvious. So the solution was to replace the entire shot with the bluray, color matching it (and the cropping) to the film.
For the DNR version I just went back to the bluray again since I needed the version without the reel change markers (which were composited in to the no DNR version from the original film elements).
The cropping is different because the NoDNR version had been cropped to match the film in an effort to transition from one to the other, which wasn’t redone for the DNR version.