You mention the 16mm has great color. Do you suppose you will utilize one of Dre’s color matching algorithms to match the 35mm print to the 16mm color?
Also, you’ve got a donation from me 😃
That could certainly be done, yes… but do you really prefer the 16mm colors as a reference?
Unless somebody comes up with a way to automate, or batch the color matching process, this would be a nightmare.
To be fair, we’ve only seen previews of the 16mm print - I don’t know if they were color corrected at all, but if not it’s certainly possible that a single correction could make it all look fantastic - it all looks very blue in the previews, but if we dial that back it might look great. I don’t know, but I hope that’s the case. If not, the Fuji print looks very nice on it’s own.