The SSE is one print. And it’s not a theatrical print, it’s a dupe print. A print struck from another print. And
there’s no guarantees TN1’s colour timing is correct. With all due respect to the team, their equipment wasn’t the best > and certainly didn’t deliver them a projection-accurate result.
Absoultely right. We used the GOUT as a color reference when grading the SSE, because at the time the 2006 DVD was the best color source we had, and the Home Video Transfers were how most people (myself included) remembered the film…
LPP Raw frame:
