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Post #1251984

Author
yotsuya
Parent topic
Info: Star Wars - What is wrong and what is right... Goodbye Magenta
Link to post in topic
https://originaltrilogy.com/post/id/1251984/action/topic#1251984
Date created
24-Oct-2018, 1:15 PM

I hate to argue with you, Poita, but I don’t think the colors in Star Wars/A New Hope are as bad as you think. I think what you are referring to are the Technicolor prints which I have seen are quite messed up. But with the process winding down and Star Wars being the last film with commercial Technicolor prints, it isn’t a surprise that they screwed up the colors. And I don’t think you are correct about the telecines. While it is true that a telecine operator can tweak things on the fly, the overall consistency between the various transfers indicates that is not what we are seeing. Team Negative 1 and Puggo have both transferred multiple 35 mm and 16 mm prints to arrive at the Silver Screen and Puggo Grand presentations. And starting with the Moth3r bootleg transfer (apparently done from a release print not an interpositive) and going through the old pan & scan releases and the widescreen releases (multiple in each country and in at least 6 countries and from old and new interpositive prints), all the transfers show are marked similarity and a stark difference from the Technicolor prints. That many different telecine operator cannot all have done exactly the same corrections on the fly. That color timing has to be from the prints themselves. That the 35 mm and 16 mm scans agree with that says to me that the Technicolor color timing is very screwed up. The sources appear to vary between original May 1977 prints (Puggo Grand US, Moth3r, and the early US/UK telecines), later 1977 prints (all the non Technicolor 35 mm prints and early foreign telecines), and the fresh interpostives done in the mid to late 80’s. But the results are all pretty close. That body of fairly consistent color timing in all those transfers vs. what we see in the Technicolor scans to me indicates that the Technicolor prints, while low fade and high resolution, are not representative of the color timing of the optically generated prints. The scene I have taken note of is where Ben and Luke are talking in the canyon. It is so washed out in the technicolor scans while it is so vibrant in every other scan and telecine.