Yeah, I’m not sure if it’s actually too desaturated or the black level and/or contrast is too low - I actually turned my TV’s brightness down a ton and it looked significantly better with no crushed blacks (the letterboxing was still the blackest part of any given frame by far), and it seemed to bring out the color a little more. For 4K77, I didn’t have to change any settings at all on my TV, though I was occasionally tempted to turn the brightness up, the exact opposite of how I felt with 4K83.

I’m really looking forward to a shot-by-shot CC with reel change markers painted out.