99.9% of all frames from one 35mm Eastman print struck directly from the original negative in 1983. The remaining 175 frames are from an alternate 35mm print. No missing frames. All frames are from 35mm prints scanned at 4K. 4k83 even has the two theatrical frames that are missing from the GOUT. 100% of frames as seen in theatres in 1983.
The 175 frames were needed because of a scanning glitch during the main print capture else all would have been from the one print.