To be fair, almost the entire musical cue that accompanies that scene in Solo is a rehash of previously existing material.
I don’t mind it much, because (1) Powell’s complete score has more than enough new themes/motifs to compensate, and (2) the music fits the scene well.
Yeah, like I said, it works. I think what really made it stand out is that TLJ had also just used that same music, ALSO for an exciting Millennium Falcon action scene (when Chewie flies through the red crystal cave), only six months earlier. Just feels a little too samey.