I personally feel some of your corrections look a little washed out, as if colors are missing. I also think you might elaborate a bit on the concept of “the wrong hue”. You have used this phrase more often in the past, and it makes it seem like there’s some clear definition of what is the “right hue”. In principle there can be any number of hues, and not one of them is wrong or right. However, I would say in the type of correction I’m going for the most important considerations are the colors of the original photography, and whatever effects may have been added to get to the original color timing was as seen in cinemas.