Some new information regarding the film, looking through ROBOTECH ART 3 witch documents the history and development of the sentinels, their are 2 pages dedicated to the movie, witch reveals the film wasn’t mixed in mono or stereo like i had originally planned to mix the film in, but instead Dolby Sensurround that was used on films like EARTHQUAKE from the 70’s, A 6-Track mix was hastily produced, and now its more apparent why so many effects are harsh in the mix, because they mixed down the 6-track mix to plain mono, i wish i could get in contact with someone who atleast has a print of the film, or at-least the audio elements, because creating an artificial 6-track mix from the mono source is near impossible without access to original recordings for the dialog, the missing Michael Bradley composed BGM, clean megazone tracks (ive separated the 5.1 mix but separating the SFX isnt possible) Using the sound library they used (more than likley it was the Warner sound library) and using portions of the RTM audio, aswell as a partial music track, i could simulate the 6-track mix, but it would be difficult to pull off.