Took a bit of effort to find, because I actually posted this upon seeing some of the previews of 4K77, not upon its release but here’s what I said about the altered mission statement of Despecialized in light of great 35mm preservations existing (and in reply to someone asking about the look of the logos at the beginning of the film):

[Harmy said:]

Haven’t really thought about this specifically yet - but here’s my general thoughts for v3.0:
We now have 35mm preservations for that authentic experience of watching a 35mm print in a theater and I personally thoroughly enjoy watching the films that way, and if what I’ve seen of 4K77 so far is any indication, we will soon have extremely good versions for watching that way, so in order for Despecialized to make sense to even exist, it will have to take a slightly different approach.
My plan is still to undo every single change we have found, because I still stand by the argument that if we start picking and choosing which changes are the good changes and which should be removed, there could be a thousand versions and it would not please everyone. But I will try my best to do this in such a way that there are no distracting drops in quality or increases in grain levels, so that it is a consistent experience of watching a remastered release of the original version. If you think about it, this actually makes a lot of sense, seeing as how the main source will still be the official BD (otherwise, it wouldn’t really be the Despecialized Edition any more) which is remastered in this way even in places where no other changes were made.
So, in this case, I will try to make the logos look as close to how they appeared in theaters but they probably won’t “shake like crazy” just as they wouldn’t in a BD remaster.