Compared to the 35mm print, the SD and HD video versions have way higher detail in dark areas/scenes but on the other hand a little lower resolution and - risking to highly speculate here - probably not the color timing which was originally intended. Hence overall, the 35mm print of course provides a rougher cinematic experience, but at the cost of quite some severe black crush, a fact which can’t be embellished either.
Yes that’s correct that the 35mm print doesn’t have much detail in the dark areas, but it’s not correct that the blacks are crushed. LPP film prints do not have much shadow detail.