I think if I were to make a movie, I think I’d to make it with old technology. Make it exactly the same way they did in the 30’s, 40’s, or 50’s. I don’t know it would be in glorious black and white or three-strip technicolor(and I don’t mean a digital re-creation, I mean the real thing). I wouldn’t want to use any newer technologies, or techniques. I would want it to be as old fashion as possible.
I too like to spend unnecessarily excessive amounts of money and do things as inconveniently as possible to get similar results.
I imagine it’d be tricky getting ahold of usuable '30s-'50s film stock, and processing equipment from those decades probably doesn’t exist anymore.
make new '30s-'50s film stock.
That’s like asking for new antiques.
make new processing equipment that is exactly the same as the old.
Ridiculous. Soon you’ll be asking for new releases on LaserDisc.
I just want a new movie made exactly the same way movies used to be made.
So entirely by white men. Gotcha.
that is not what I meant and that was totally uncalled for.
Was it?
Yes, it is not what I meant.
It is clear in this thread were talking about the technical aspects of making films, just take a look at the first post of the thread. My comment about wanting a film made exactly the same way as movies used to be made had to do with the technical aspects of making a film, not the race or gender of those making film. I thought that would be obvious.
I wasn’t saying anything about you,
sure could have fooled me.
I was saying something about Hollywood.
Your post was poorly worded if that is what you meant.
p.s. Look at the thread title and original post. I don’t think it is the proper thread for a discussion of the history and current problems of racism in Hollywood.
Jesus Christ.
I can’t post anything without you dissecting it a hundred different ways.
And you wonder why I get annoyed with you.