I’ve been thinking a bit more about the broad stroke differences between TLJ and the rest of the saga, particulary the OT, and why some find TLJ refreshing, while others reject it. So, for a change I’m not going to talk about Rey’s Force powers, or Luke’s characterization, but more about in-universe history, and how that affects the story.
I think it is fair to say the OT is steeped in melancholy, and powerful connections to the past. The entire premise of ANH is to defeat the evil Empire, and to return the galaxy to a previous state, the fabled Old Republic. Luke is largely driven by the legend of his father, who’s friend Obi-Wan promises to teach him about an all but forgotten religion that both he and Luke’s father were a part of. The rest of the trilogy is largly set up such that Luke needs to vanguish the enemies of old, Darth Vader, and the Emperor, and avoid the pitfalls, that caused Vader, later revealed to be his father, to turn on his friend, and join the dark side.
To a large degree TFA operates in the same way. It treats Luke Skywalker as a legend of old, that both the heroes and villains are looking for. Luke went looking for the first Jedi temple, a place presumably steeped in Jedi history. It’s hinted, that Rey has a strong connection to the past, and Kylo Ren, who’s directly related to two other legends of the past, Han and Leia, was seduced to the dark side by some mysterious larger than life old anti-Yoda figure. Both Rey and Kylo Ren are struggling with their past, and the film ends with Kylo severing one of the links to his past by killing a past legend, while Rey connects with it by finding a past legend.
TLJ completely breaks with this Star Wars tradition. It actively deflates the past by telling us the history and legends we cherish are not as great as we want to believe. It actively cuts almost all ties to the past by killing off the remaining classic heroes (Leia technically not in the film), and even the links to the past TFA introduced. The mysterious Snoke is unceremoniously cast aside, and the secret of Rey’s past is, that she has no past, at least not one that’s relevant to her future. The family connection between good and evil that drove the OT and TFA is all but ignored, and then finally killed for good, when Leia gives up on her son, and Luke dies. What remains is a conflict between new heroes and new villains, that either killed their past, or don’t really have one.
It’s a bold move, which is sadly undercut by a strict adherence to the OT aesthetic and the OT’s basic premise of an Empire versus a small band of rebels. The question is why did the creators and by extension Disney decide to reboot the franchise, whilst also severing most connections to the past? My theory is, that it was done to make Star Wars more accessible to the general audience. Most of us hardcore fans will see the movies anyway. I know I probably will, despite my lack of enthousiasm. Anyone without much knowledge of Star Wars history will be able to see and enjoy episode IX. It’s starting point is similar to episode IV. There’s an evil Empire led by an evil maniac, a struggling rebellion led by an aspiring Jedi, and it looks like it’s part of the Star Wars brand. You need not know more.
It IS a bold move and one in which I think needed to happen for SW to evolve.
I might agree, if the bold move was used to create a new story, and new Star Wars lore but it wasn’t. It’s a reboot, and one that strips Star Wars from much of the deeper layers and themes, that made it stand out from the average blockbuster, in my opinion of course.
I think the themes and layers of TLJ are deeper and a little more meaningful than anything in both the OT and PT, especially in how the philosophical ideas tackled are all about our understanding of those previously established themes. It may be more of a meta-deconstruction of the themes, rather than a continuing re-affirmation of them, but they are still there and are still needed to be understood.
I think it’s disingenuous to say TLJ is an average blockbuster or that anything it has to say is on that level of Transformers, or Geostorm, or Avengers. If anything, it’s a little too heady for its own good. I definitely think it has pacing and tonal issues, as well as one too many plot threads that clearly have muddled what it was trying to say in the end, but its intentions and fundamental ideas have more depth than just “insert SW brand here.” It can’t be that, as well as trying to burn down Star Wars traditions, at the same time. It’s trying to be so much more, and whether or not it succeeds in being a good movie is just a matter of opinion.
And while something can be said about how it uses an evil Empire and plucky rebellion, as well as TIEs, X-Wings, and lightsabers, that’s all superficial when what informs and drives those things are clearly different enough to not be “Star Wars” to many people thematically.