Ah, one of the “TFA was unoriginal and TLJ was too original” reviews. Lol.
Don’t know if this was directed at a specific review, or the more critical reviews in general? In the latter case I think it misrepresents many of the criticism against TLJ:
Rey’s fast progression from junk dealer to Jedi is not a matter of originality, but consistency. There can’t be more than a few days to a few weeks between the start of TFA and the ending of TLJ. As a matter of fact TLJ takes place over a matter of hours, considering the whole out of fuel plot. In that time Rey is given a highly condensed version of Luke’s arc over two films, starting on a backwater planet to learn the ways of the Force, and ending up in the big bad’s throne room, and finally as the last Jedi. The problem here of course is, that she hardly recieves any training, and ultimately isn’t really tested or suffers any serious setbacks. She crawls through a river of **** and comes out clean at the end, apparently greater and wiser than Luke Skywalker himself, making the old Jedi Master redundant to the point, that he can die at peace mirroring Yoda’s death in ROTJ.
While Snoke’s death was shocking, and overall reasonably well executed, he’s reduced to a plot device, because his character hasn’t been properly set up, or his history and motivations explained. His function seems merely to prop up Kylo Ren, who after being deflated at the end of TFA, now is reinvented as the big bad of the ST, but without the necessary development and character growth. This criticism again is not a matter of originality, but story and character development.
The criticism against the representation of Luke Skywalker is also one of consistency, particulary the idea that Luke would contemplate the murder of his nephew. This 180 degree turn in his character is severely underdeveloped, and only explained in a single scene in which he reads his nephew’s mind realizing Snoke had already won Ben’s heart. This also comes back to the complete lack of developement of Snoke, and the history between Snoke and Kylo. We’re now supposed to believe, that Luke who refused to kill his father and accept he was lost to the dark side, knowing all the terrible things his father had done under the guise of Darth Vader, now gives up on his young nephew based on a vision of the future, a future he knows to allways be in motion. This scene might have worked, if we had learned a bit more about Luke’s psychological state post-ROTJ. He could have told Rey, that his father’s death, and learning about the true magnitude of Vader’s crimes had left him emotionally scarred, and he grew obsessed with preventing the birth of another Darth Vader. He’d found the strength to forgive his father, but the price of his father’s redemption had been too great for the galaxy. If the whole Jedi order couldn’t prevent his father’s turn, how could he by himself create a new and stable Jedi order? So, against Yoda’s council, for years he had refused to train a new generation of Jedi, to pass on what he had learned, until young Ben was born, and against his better judgement decided to mentor Ben and a few other students. He wasn’t ready to be a teacher, and young Ben sensed Luke’s trepidation, blaming himself. Snoke ceased the opportunity to corrupt the insecure and impressionable Ben, leading to the scene in the film.
These are just three of many criticisms against the film, that mostly relate to lack of story and character development, and/or consistency. The shocks and twists are fine, but without the necessary backbone of story and character end up being hollow and superficial. This is all just my opinion of course, but as I stated before it’s not the originality of RJ’s approach that I dislike, but the condensation of plot and character, that makes the story feel rushed and shallow.
Bullseye. Great post.