^ Ah, well at least now we know why though. Shouldn’t be a problem to recreate what you’ve done with that sequence.

Ridley, the 3PO shot looks great, as does the fixed slow shots from Kylo to the technicians. I wonder, though, if you could send me the 3PO leg shot without artificial black widescreen bars applied? It appears to be zoomed slightly, and to have had these bars put on. The problem is that they are slightly farther into the frame than the rest of my timeline. If you can send me the shot, zoomed though it may be, I can apply the widescreen matte on my own and have it match perfectly.
But, yeah… pretty awesome (and fast!) reverse alchemy. 😉

EDIT: The 3PO leg foley sounds much better now that I can move it up by a second or two. Now, it sounds like he’s walking off and then BB8 decides to give up and follow.