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Originally posted by: PSYCHO_DAYV
GUNDARK, DON'T YOU JUST LOVE THE INTERLOCK (tm) SYSTEM ??? WHEN I WAS MANAGING A UNITED ARTIST THEATER WE ONLY HAD FOUR MOVIES BUT TEN SCREENS. I THINK WE HAD ONE PRINT OF PULP FICTION ON THREE SCREENS AT ONE TIME. I LOVED BEING UP IN THE BOOTH AT THE BEGINNING OF PULP FICTION, BECAUSE AS SOON AS JUNGLE BOOGIE STARTED PLAYING I WOULD CRANK THE SOUND SYSTEM UP TO EIGHT. NORMALLY WE WEREN'T SUPPOSED TO TURN IT UP PAST FIVE IN ORDER TO KEEP PEOPLE FROM GOING DEAF. ONE OF THE TIMES THAT I DID IT PEOPLE ACTUALLY GOT UP AND STARTED DANCING. IT WAS BLOODY AWESOME.
On a side note, we received instructions from GL himself that the volume for all ROTS screenings was to be turned up to the Dolby Digital reference level of 7.0. Good and loud.
Yes, I love the Interlock (tm) system. Ours is particularly easy to operate b/w theatres 8 & 14. I have yet to try the three-for on screens 10, 11 & 12, and frankly, that one scares me. What automation system were you using, DAYV? We have TA-10s.