It seems especially bizarre that the anthology films – the ones you’d expect directors to have more creative freedom on – are getting the most executive interference, while the Sequel Trilogy apparently has no problems in terms of creative issues.
It seems like Kennedy just wants to make money by exploiting fanboy nostalgia…and we sure can’t have creative people threaten that fanboy market by going outside the box, now can we?
No wonder they’re still keeping Trevorrow on board, because that cinematic atrocity Jurassic World made over a billion dollars by exploiting the same nostalgia market Kennedy wants to capitalize on, and Michael Bay was too busy making Transformers movies.