I should also mention that this part of the film has been completed and rendered for quite some time, so it’s not like I’m going to go back and work on it again. You’re welcome to continue debating the intricacies of color grading and production lighting in this shot, but I don’t really see the point now. 😃
I think there are interesting points on both sides, and we have pretty much said all that needs to be said. Though it would be interesting to hear from Poita or Mike Verta (if he ever came back) about these shots.
I’m more interested in the blue Rancor at this point anyway. 😛