Boyhood’s acclaim only represents the death of American cinema.
You might have said more but I stopped reading at this point.
I stopped reading when I saw the username.
That’s not fair.
Of course it is and his nothing to do with a film.
The dialogue feels like it was written in Korean, translated into Swedish, and then autocorrected into English. The main character is either or blank slate or a pretentious, cliched emo kid we don’t want to waste time with. It’s an overlong film that feels like twice is length because of the aimless structure. People who like this film are either critics who were paid off, or hipsters who think failing to follow the basic rules of filmmaking is groundbreaking. This film is indefensible.
Stop quoting me and then writing a bunch of whatever that has nothing to do with what I said.