micktravis

User Group: Members
Join date: 25-Jul-2007
Last activity: 25-Jul-2007
Posts: 5

Post History

Post: #293464
Topic: Kubrick: Vinyl Trilogy (Released)
Link: https://originaltrilogy.com/post/id/293464/action/topic#293464
Time: 26-Jul-2007 10:43 AM

...so we'll call this one the penultimate transfer until things change again.

Post: #293424
Topic: Kubrick: Vinyl Trilogy (Released)
Link: https://originaltrilogy.com/post/id/293424/action/topic#293424
Time: 25-Jul-2007 6:29 PM

Originally posted by: Coldon
Hey

The original, non-restored, versions are considered to be some of the WORST DVD transfers of all time (in fact, they were downright insulting). However, following the release of Eyes Wide Shut, WB went back and gave them the ultimate transfer.

Do you really think they'll never transfer these films to video ever again?

Post: #293423
Topic: Kubrick: Vinyl Trilogy (Released)
Link: https://originaltrilogy.com/post/id/293423/action/topic#293423
Time: 25-Jul-2007 6:26 PM

Interesting choice of the word "Vinyl" in the naming of this trilogy, considering that the first filmed version of Clockwork Orange, by Warhol, was called "Vinyl."

http://www.imdb.com/title/tt0059880/

in case you didn't know.

Post: #293422
Topic: "O Lucky Man" - 3 hour version - preservation (Released)
Link: https://originaltrilogy.com/post/id/293422/action/topic#293422
Time: 25-Jul-2007 6:18 PM

I've been tinkering with the idea, for years, of upgrading the audio on my DVD (laserdisc rip) to include the music in stereo. It turns out to be trickier than it sounds because the audio on the film doesn't always exactly match the audio on the CD. Thoughts?

Post: #293419
Topic: Info Wanted: The Beatles Rooftop concert?
Link: https://originaltrilogy.com/post/id/293419/action/topic#293419
Time: 25-Jul-2007 6:15 PM

The only version of the rooftop concert making the rounds is simply the final two reels of the Let it Be film (with the exception of the extra stuff seen in Anthology and its promos). Having said that, I have audio of the complete concert, and most of it is much better than the audio on the film soundtrack. And of course some of the audio on the Let it Be album, in stereo, comes from the rooftop concert. And then there are the two Glynn Johns mixes of the album, which include even more rooftop audio in excellent stereo. It would be possible, I believe, to match almost all of the audio from the rooftop section of Let it Be with upgraded stereo audio from these sources to produce a better product.