Ronster said:
adywan said:
Ronster said:
The whole thing that has me in disagreement about this particular clip is that the pause works so incredibly well and it was how it was recorded, so this is what really has me scratching my head about that particular point.
But it wasn't how it was recorded, that's the thing. It was two separately recorded pieces edited together for nothing more than the soundtrack CD. On the original soundtrack double vinyl LP they were two separate tracks also.
Yes! and there is a very clear space in between where one track ends and the other one starts.
They are edited together with a gap in the middle of them both...Agreed?
The question here is how they were edited together is it precise as to how it was meant to synch up to the film?
You have gone for an overlap as per score notes and I have chose to adhere to the silence as per the recording and remove Bars because I don't think anything is missing from the AT-AT reveal and really the main thing I have been looking at is the transition to double time and matching that and found that the first note of the piano riff (although bars are removed) synchs up with the foot... The first time we see the AT-AT.
I am tracing back from a point in the middle (Double time cue) to find a start point.... You are trying to synch the music to what is already there when it might be a cover up of a missing scene. Hence why the music was probably removed in the first place.
There is no missing scene or shots (atleast none that were scored by this these cues), John Williams always intended the two cues to overlap.
The Battle of Hoth on the 2 disc CD is
3M1 Drawing The Battle Lines
3M2 Leia’s Instructions
3M3 The Snow Battle
3M4/4M1 Luke’s First Crash
4M2 The Rebels Escape Again
All overlapped in the film, but with sections dropped, the CD mostly reflect this, but they chose to mix the cues together differently. (And wrongly in the case of 3m2 and 3m3)