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Spaced Ranger

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22-Feb-2009
Last activity
13-Feb-2017
Posts
986

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Post
#1010486
Topic
THX on 35mm Tech IB preservation - HELP NEEDED (work in progress)
Time

Anything like this?

AutoBytel – The Best Looking 2015 Hybrid Cars [Page 10 of 14]

McLaren P1

“We’re suckers for anything this low, sleek, and swoopy. … The McLaren exotic sports car looks absolutely adhered to the pavement, with curves placed only where they’ll serve some function of the P1. … Pricing starts at $1,500,000.”

Just keep away from concrete pillars.

Post
#1008607
Topic
THX Italian 35mm - Feedback thread
Time

Whoa, a couple of minimal chopped sections and no BSOD’s. I think I’m on a roll … just don’t tell me about that concert pillar as I flip on the jetcar’s power switch.

These new sections:

sync 35mm to 16mm - as 2 parallel streams matching where they can
8th 1000+ frames
[note: each 1000-frame section begins exactly on shot]

35mm frames description
69778-80000 match @ SEN_talking
(end of section = 79888)

.

16mm frames description
70977-82000 match @ SEN_talking
(end of section = 81087)

sync 35mm to 16mm - as 2 parallel streams matching where they can
9th 1000+ frames
[note: each 1000-frame section begins exactly on shot]

35mm frames description
79889-81647 match @ SRT_pointing
00000-00002 spacer for cut-out SEN_crowd
81649-82369 match @ SEN_crowd
00000-00405 spacer for cut-out operator_calling_thru_Eng_readout
82370-90000 match @ fetus_bottles
(end of section = 89889)

.

16mm frames description
81088-92000 match @ SRT_pointing
(end of section = 91496)
Post
#1008237
Topic
THX Italian 35mm - Feedback thread
Time

[I powered through, to borrow the sycophant Press’s cover phrase (USA reference), on the older laptop and braved possible BSOD’s (Microsoft reference) by saving after each and every edit. It worked out well enough to do it this way until finished.]

So, this new section was:

sync 35mm to 16mm - as 2 parallel streams matching where they can
7th 1000+ frames
[note: each 1000-frame section begins exactly on shot]

35mm frames description
59376-62675 begin match @ monitor_on_shot-end
. 00000-00002 spacer for cut-out1 SEN_greeting
62676-63872 match @ 1 sEN_greeting
. 00000-00003 spacer for cut-out2 SEN_greeting
63873-65061 match @ 2 sEN_greeting
. 00000-00002 spacer for cut-out SEN_talking
65062-66682 match @ sEN_talking
. 00000-00002 spacer for cut-out THX_tuned-out
66683-66928 match @ THX_tuned-out
. 00000-(-1) spacer for cut-out THX_on_elbow
(special code for 1 frame only)
66929-67931 match @ THX_on_elbow
. 00000-00001 blink for 35mm incomplete_frames
67932-68168 match @ 2nd 35mm incomplete_frame
. 00000-00003 spacer for cut-out pushover_Robo
68169-70000 match @ pushover_Robo
(end of shot = 69777)

.

16mm frames description
60557-69126 match @ monitor_on_shot-end
. 00000-00001 blink for 35mm incomplete frames
69127-71000 match @ 2nd 35mm incomplete_frame
(end of shot = 70976)
Post
#1004828
Topic
What Font Do YOU Use To See Unicode characters (instead of boxed numbers)
Time

That’s a great font! Thanks!

Unfortunately, it didn’t help to get unicode “smileys” to work in Firefox under Windows 64-bit. I’m now suspecting the problem is in Windows … as some of those smileys work in the same version of Firefox under Windows 32-bit.

Has anyone come across this dilemma with a solution? (And, yes, I’ve tried quite a few different corrective measures from various forums without success. Can this really be the state of computing in The 21st Century?)
_ <— this space reserved for a sad emoticon, when I can see it

Post
#1004208
Topic
What Font Do YOU Use To See Unicode characters (instead of boxed numbers)
Time

This was prompted by someone someone here posting a unicode character. Apparently this system I’m using (Windows) doesn’t have a font that contains this emoticon if you can see it ( 😃 ) or such characters, and instead displays a number-in-a-box for those who can’t see it (graphic with magnified view for readability):

And it’s not just here, but anywhere.

Has anyone solved such problem with a recommended font that carries these proper symbols?

Post
#1001198
Topic
Slipstream 1989 (WIP)
Time

dvdmike said:
Bar the Jp laserdisc and my trailer we don’t have anything new sadly

I’m still puzzling over the technique to auto-repair the blue-channel’s crush with green-channel’s or/and red-channel’s non-crushed detail.

BTW, after looking closer at Rikk Wolf’s postings, I think the UK capture was improperly resized/de-interlaced/re-framerated. I haven’t checked into PAL-to_NTSC procedures, but it should come out perfect. Note, too, that the same scanline artifacts are in the JP capture. It shouldn’t be an issue with JP laserdiscs at all.

Post
#1000285
Topic
Info: 'Forbidden Planet' - 16mm Scope print for sale on eBay
Time

BTW, did anyone here (or anyone else we know) win this auction? I’d love to see how it might work out as a preservation. Especially since the seller described it as “Near mint condition reduction with no splices. Scope (anamorphic print, not letterboxed). … Loud and clear optical sound. Uncut version. Best looking print around! No vinegar smell”. It better be at $1009.99!

Post
#1000283
Topic
Info &amp; Discussion: Fullscreen Laserdisc / DVD Preservations
Time

Forbidden Planet is another one. It’s 1st/early full screen release (Beta, VHS, LD) apparently has bolder colors, which faded away on the particular stock used for filming. Later releases colorfulness, even though in the original widescreen, just kept getting weaker and weaker.

Check out this other thread Forbidden Planet 16mm Scope print for sale on eBay

and some original lobby cards at Four Color Comics website:

Morbius’s home never popped with color like that since then!

Post
#998849
Topic
THX Italian 35mm - Feedback thread
Time

This part had me guessing where the actual leader starts and stop. It would affect the length of the fades in & out. Any way to determine the true lengths in the original edit?

sync 35mm to 16mm - as 2 parallel streams matching where they can
6th 1000+ frames
[note: each 1000-frame section begins exactly on shot]

35mm frames description
48525-53207 match @ THX_LUH
53208-53364 Italian readout
. 00000-00158 spacer for 16mm-English imbalance_readout
. 00000-1 spacer for cut-out cross-fade to THX (special code for 1 frame only)
53365-53779 match @ airing_THX
. 00000-00028 spacer for cut-out THX_hall_walk
53780-1 match @ cross-fade to court_room (special code for 1 frame only)
. 00000-00021 spacer for cut-out court_room
53781-55347 match @ court_room
. 00000-1 spacer for cut-out cross-fade judge_numbers (special code for 1 frame only)
55348-55462 match @ readout
. 00000-00003 spacer for cut-out readout
55463-58367 match @ read_verdict
. 00000-00001 blink for 16mm-English early fade-out
58368-58510 continue THX_hurting
. 00000-00001 blink for inserted leader
58511-58803 start of leader
. 00000-00049 spacer for extra 16mm leader
. 00000-00025 spacer for 16mm match
58804-59376 match @ monitor (to in-monitor shot end)

.

16mm frames description
49571-54253 match @ THX_LUH
. 00000-00156 spacer for 35mm-Italian imbalance_readout
54254-54412 16mm-English imbalance_readout
54413-54828 match @ airing_THX
54829-59472 match @ court_room
. 00000-00001 blink for early fade-out
59473-59615 16mm-English fades out early
. 00000-00001 blink for early fade-out
59616-59958 guess-match @ leader
59959-60557 match @ monitor (to in-monitor shot end)
Post
#997937
Topic
Info &amp; Help Wanted: 16mm Cartoon &amp; WWII News Reel Restorations...
Time

Mackey256 said:
… we found a trunk full of 16mm films while cleaning our my grandparents house.

Be sure to immediately open each can of film and smell for any hint of vinegar-like odor. Any reel with that odor, even faint, means it’s film is breaking down. Worse, the odor is really an acidic gas and can seep into nearby cans and start breaking down them as well.

Immediately isolate all vinegar-odor reels in another room with ventilation (clean garage, dry shed, vented basement). Remove the reels from their cans (sit them on top of their closed cans) for the gas to escape away from the film. The no-odor films should be placed in another room with the lids propped open for ventilation.

Here’s what the pros say:

University Of Illinois Library - Preservation Self-Assessment Program - Film

Storage Environment
Allowable Fluctuation: ±2°F; ±5% RH

. . . . . .
Ideal Acceptable
Temp. 0–32°F (-18–0°C) 33–54°F (1–12°C)
RH [relative humidity] 30–50% RH 30–50% RH

Storage Enclosure(s)
Container: Film is ideally stored in a vented inert plastic can. Vents allow the film to “breathe” an even air exchange (crucial for acetate). The enclosure may be plastic, non-corrosive metal, or archival quality paperboard. Dirty, rusty, non-vented, or dented metal containers will only heighten the potential for film damage. The container your institution uses will largely depend upon the environment.

If storing film in a room temperature environment, vented containers composed of polypropylene or polyethylene are optimal. If you are storing your film in freezing temperatures, your cans should be sealed and moisture-resistant. In any case, cans should be clean and free from debris, rust, and structural damage. When freezing film, ensure that the the film is properly housed by double-bagging it in zip-sealed freezer bags.

Core: Film should be stored on a core, which is ideally made from inert plastic, rather than on a reel. For 16mm and 35mm, the National Film Preservation Foundation (NFPF) recommends that the core be at least 3 inches wide. A wider core diameter lessens stress on the film as the film will not be wound as tightly. Smaller film gauges may be wound on smaller (less than 3") cores. A core is distinct from a reel. A reel is a metal or plastic hub with extended sides between which the film is wound for projection. Reels — especially metal, dented, or otherwise damaged reels — are NOT appropriate for long-term storage.

Post
#997652
Topic
Info: Laserdisc viewing and capturing best current info?
Time

He’s constantly looking into newer & more complete solutions, and has updated his approach/equipment several times. For example,

on external comb filters:

http://originaltrilogy.com/user/AntcuFaalb/id/10643/page/1
With that being said, the most important factor in getting a good LD picture is the player you’re using. … The s-video output on all LD players therefore uses a builtin (old and no longer top performing) comb filter IC. 99.9% of the time you’ll get better results with composite and an external comb filter …

on capture cards:

http://originaltrilogy.com/user/AntcuFaalb/id/10643/page/8
Report: The 550’s 3DCF is entirely configurable unlike the 750. I’m getting accustomed to configuring it now.

on low-pass filtering (and check out that comparison!):

http://originaltrilogy.com/user/AntcuFaalb/id/10643/page/14
Here’s a sample of the result of low pass filtering THX 1138’s chroma to 843.75KHz (that’s 1.6875MHz together which is basically DV’s 4:1:1). This isn’t what LD is capable of (>1.3MHz for I and Q), but it’s double S-VHS and the rainbows disappear, so it’s good enough for me!
http://screenshotcomparison.com/comparison/125913
Note: No 3D comb filter was used here. This is 100% spatial.

It’s hard to keep up! 😃 Maybe if AntcuFaalb could chime-in with some his best-so-far recommendations?

AntcuFaalb,
AntcuFaalb,
AntcuFaalb.
Post
#997269
Topic
THX 1138 1971 'Flat' Theatrical version preservation. (a WIP)
Time

poita said:
I recently purchased and scanned a 1971 US print of THX 1138.

Was this a first-step run-through for a check of what’s there? If not, what sort of dial-twiddling was done this far? And how much further do you take it before the next step of digital enhancement?

Theoretically, do all films go through the maximal scan (guessing that would be individual R-G-B passes at highest pixel depth with full normalization)?

Post
#997013
Topic
Felix the Cat 1919-1930 early film shorts preservation (WIP)
Time

For example, this code:

||. . .||. . .||. . .||. . .||
|-|-|-|-|-|-|-|-|-|
| **year** | | **date** | | **title** | | **source** | | **source picture** |
| 1919 || 11/09 || Feline Follies || brand-x || ![](http://t1.gstatic.com/images?q=tbn:ANd9GcS1deIo_yV_KyimAO7py4_RUBfJX8HVQ7u5KERKAlym9vmDHwJ-) |
| 1919 || 11/16 || The Musical Mews || brand-x || ![](http://t1.gstatic.com/images?q=tbn:ANd9GcS1deIo_yV_KyimAO7py4_RUBfJX8HVQ7u5KERKAlym9vmDHwJ-) |
| 1919 || 12/14 || The Adventures of Felix || brand-x || ![](http://t1.gstatic.com/images?q=tbn:ANd9GcS1deIo_yV_KyimAO7py4_RUBfJX8HVQ7u5KERKAlym9vmDHwJ-) |
| 1920 || 01/25 || A Frolic with Felix || brand-x || ![](http://t1.gstatic.com/images?q=tbn:ANd9GcS1deIo_yV_KyimAO7py4_RUBfJX8HVQ7u5KERKAlym9vmDHwJ-) |
| 1920 || 02/22 || Felix the Big Game Hunter || brand-x || ![](http://t1.gstatic.com/images?q=tbn:ANd9GcS1deIo_yV_KyimAO7py4_RUBfJX8HVQ7u5KERKAlym9vmDHwJ-) |

produces this table:

. . . . . . . . . . . .
year date title source source picture
1919 11/09 Feline Follies brand-x
1919 11/16 The Musical Mews brand-x
1919 12/14 The Adventures of Felix brand-x
1920 01/25 A Frolic with Felix brand-x
1920 02/22 Felix the Big Game Hunter brand-x

Nicer formatting isn’t implemented yet (for example, I had to use periods to make spacer columns; there’s no specifying picture size (had to find a small picture), and so on. All considered, though, it does get the information into a post.

Post
#996801
Topic
Felix the Cat 1919-1930 early film shorts preservation (WIP)
Time

Whoa, nice project! Most of us have absolutely no idea until someone points it out.

If I can suggest more work for you, 😃, would you also specify sources for these listed shorts? I’m constantly seeing collections of old Public Domain cartoons in store sale bins. It would help to know what you have identified from particular film, videotape, DVD, and Internet media (YouTube, et al) links. It would give topic watchers the chance of catching shorts not on your list. And show pictures, too, of package front/back covers (where applicable).

Post
#996550
Topic
Info: Laserdisc viewing and capturing best current info?
Time

If you don’t mind lots-of-reading research, AntcuFaalb delves into hardware and technical solutions for top quality laserdisc capturing. Things one may never consider is what he seeks to correct in the capture chain (and they all add up).

Probably the best way is a very narrow Google search of OriginalTrilogy’s AntcuFaalb posts containing the word laserdisc. Copy this line into Google’s text-search area:

site:http://originaltrilogy.com/user/AntcuFaalb/id/10643 laserdisc

From those results, you can preview his postings and then get back to their original threads for context.

Enjoy! 😃

Post
#996358
Topic
THX on 35mm Tech IB preservation - HELP NEEDED (work in progress)
Time

Mavimao said:
I’ve always thought that the 1978 and the 1983 versions are the same.

I once came across “proof” of the opposite (although I didn’t know it at the time) when going through a bunch of old, recorded TV broadcasts on Beta tape. In the space between half-hour sections of the tape, there was one recording partially over-writing the front end of … THX 1138 (full-screen). I didn’t think much of it then (the tapes were full of re-tapings) but wondered when it was. Playing a bit of it found a station commercial for the 1984 Super Bowl (or some other, annual sports event).

More important is that the SEN & children scene was complete, even though GL’s 1983 version (now for TV and commercial videotape & laserdisc) had that scene edited-down. (NOTE: that means George Lucas himself cut it out for the 1983 release, as I once speculated in the original THX 1138 thread.) The 1984 Beta-tape TV broadcast was GL’s 1978 release (only for theaters & TV stations) that was still broadcast into 1983+. Years later recordings on other TV-recording tapes had only the edited-down scene. Clearly, all the stations had the updated (edited-down scene) movie by then and showed nothing else.

I’ll track down that tape again to glean addition details, now that we have more and newer information.

Post
#996135
Topic
THX on 35mm Tech IB preservation - HELP NEEDED (work in progress)
Time

SilverWook said:
He fiddled with it again in 2010?

Yep … but not as badly (or not as obvious badly).

(I spent way too much time trying to find a post I made [3 1/2 years ago!] that had all the commercial media versions compared [for another reason]. Finally found it back on page 53 of THX 1138 "preservations" (the original thread after a few title changes) only to re-discover all the pictures were originally hosted on ImageShack and were trashed in it’s overhaul. So, sorry, I can’t show the samples.)

The 2010 BR was tinted slightly but noticeably different than the 2004 DVD in that comparison. But I never had a chance to find what else was “touched up” from 2004.

The title card has always looked blown out to me on older THX releases, but that may have been baked into whatever source George had available in 1971.

The YouTube snapshot was clearly from the 2000 DVD (which should’ve been public domain even during GL’s 1st film). I don’t know about earlier Beta/VHS videotape or laserdisc. The film clip GL used must’ve been in the same only-fair shape. Surely Lucas would consider it, in that condition (noticeably old media with an old vision of the future that was a “tragedy”), an appropriate opening to his film.

Earliest commercial media might indicate more B&W spectrum (as in the 2009 Buck Rogers DVD restoration) in the clip Lucas used. If so, a special-adjustments scan might help bring that out for a film restoration. Just a thought.