msycamore said:
I still to this day cannot understand how some found ROTJ to be a satisfying sequel and at the same time attacked Phantom Menace.
If it helps...
I don't find ROTJ to be entirely satisfying, so maybe I don't love it enough to be qualified to answer this, but...
ROTJ dealt with characters that I already knew and loved. Maybe they weren't at their best in this film, but they were present and I cared about what happened to them. TPM dealt with characters that I didn't care to know (even though some of them were purportedly the same people as in the OT, the resemblance was superficial at best). Story-wise, ROTJ took the existing storyline that I loved and brought it to a close. TPM tried to create a new storyline that I never wished to see before, and having seen it, confirmed that I was right. On that scale, part of the love of ROTJ is sentimental bleed-over from the other films, I admit it.
But there were also good performances in ROTJ. Hamill and McDiarmid, for example. There wasn't a single good performance in TPM. Not one. Not only that, but the "bad" performances in ROTJ eclipsed the best performances from TPM. At least Ford and Fisher managed to make eye contact with one another when talking, if not much else.
The environments and such, models, sets, etc, in ROTJ, weren't as well integrated, or honestly even necessary in many cases, into the film as they were in the other films. But they were never the sterile, boring dreck from TPM. I'd rather have indulgent than dull. And sometimes over-the-top just plain worked: case in point, the Emperor's arrival with an obvious Riefenstahl rip-off just plain worked. The space battle, yes, not as gripping as the asteroid chase in ESB, but just compare that to the dreadful pod race--I rest my case.
The score for ROTJ is pretty solid too (again, I don't like it quite as well, but I like it). I certainly owe part of my love of Star Wars to John Williams. Again, TPM showed that John Williams could produce uninteresting dreck as well.
That said, there are bits of ROTJ that plumb the depths that we saw later with TPM. The humor is certainly one thing: the droid torture, the burps, the slapstick, the tongue-in-cheek but dumb classic adventure tropes (Chewie does a Tarzan yell? Lord). I can make no excuses here.
ROTJ was a disappointment in many ways. But there were some good things about it and I enjoy watching it from time to time. I thought TPM was pretty much a trainwreck of everything bad that could possibly be put into a film--that is, until I saw AOTC and ROTS and saw it could get even worse. I can certainly say that there are enough differences between ROTJ and TPM that I can like one and despise the other. But ultimately it's all subjective.