Okay, here goes:
YOLT
http://screenshotcomparison.com/comparison/146293/picture:0
OHMSS
http://screenshotcomparison.com/comparison/146305/picture:0
DAF
http://screenshotcomparison.com/comparison/146309/picture:0
The Spy Who Loved Me
Set 1
http://screenshotcomparison.com/comparison/146533
Set 2
http://screenshotcomparison.com/comparison/146534
Octopussy
http://screenshotcomparison.com/comparison/146326/picture:0
AVTAK
http://screenshotcomparison.com/comparison/146331
The Living Daylights
http://screenshotcomparison.com/comparison/146334/picture:0
Goldeneye
http://screenshotcomparison.com/comparison/146274/picture:0
Goldeneye vs. HDTV:
http://screenshotcomparison.com/comparison/146323
Tomorrow Never Dies
http://screenshotcomparison.com/comparison/146280/picture:0
What we're seeing here are some general tweaks, with vast amounts of picture detail for the ones with a 4K scan, and a relatively unimpressive look for those from the video masters.
YOLT looks far improved, and I'm quite surprised at how well these caps look. It isn't fully there with the 60's Technicolor look but it is a thousand times better than the UE. It also reveals that some of these transfers have contrast boosting.
OHMSS is along similar lines, color miles better but still not fully accurate. That said the boosting is far worse here:
ZE COUNT SAIS YU SHOULD HAFF A VERR NICE SUNTAN SAIR HILLARY!
Also it has vertical lines in places as have been seen on YOLT and a few other titles in this remastered series.
DAF was one of the few stunning UE titles, and I was looking forward to see how it made the jump to BD. I still don't know what to make of it. The colors are different, the blacks are very deep, detail incredible but overall the image appears different. What this could be is detail and visuals coming off the negative that haven't been seen since 1971 theatrical prints, but I'm not so sure.
To my eyes it appears that on these early titles the BD team tried to go for a general look more akin to Technicolor printing of the era. While not quite successful, it is commendable that they tried to somewhat represent the film's intended visuals, despite their favoring of contrast. And again, on DAF I still don't know.
Then we come to the problem child. TSWLM has looked horrible on video since it's fist appearance on disc/tape. The print was always worn, hazy, washed out in places and never provided an experience of a lavish Bond adventure. The UE made massive color shifts and changes in addition to being riddled with edge enhancement. So, since this was still an "unrestored" title coming from a video master I wasn't expecting anything other than heartbreak again.
I don't know how they did it. Some kind of magic has been worked here, because this is the best Spy has ever looked on video. Gone almost completely are the color problems, gone is the massive EE and fine detail is actually present. The film was shot with quite a bit of diffusion and soft lighting, and this is finally showing up for the first time in ages. Colorwise this is pretty accurate, and further underlines all the inherent flaws of the UE.
OP and AVTAK look like more detailed versions of their UE counterparts. AVTAK still has the heavily cropped teaser opening and slight cropping for the feature. Both retain their modernist color leanings.
TLD looks like a higher res version of the UE, and for that I'm glad. This UE like LTK was a little different in color but all for the better in most cases. Glad they didn't fix what wasn't broken.
Goldeneye looks to be a big problem again, but not for the reason you would think. The cropping has been fixed...but at a cost. The film has been riddled with DVNR so much that even in screencaps the compressed and cropped HDTV cap blows it away. I was personally stunned to see the amount of grian in motion on the HDTV version a short while ago and looked forward to the BD just for this. Guess not!
TND looks rather bland actually, just 1080p over 480p.
Singles over time with custom covers for me.