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Batman v Superman: The Third Alternative

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Hey guys,

As mentioned in the general BVS edits thread, I’m working on my version of Batman v Superman: Dawn of Justice. Before, I had two different edits, including one that delayed Batman’s entrance until 20 minutes into the movie, but, after consideration, I decided to instead refine the Less Radical Edit, which keeps the theatrical opening.

Generally speaking, the first and second acts are radically restructured for clarity. The inciting incident of the film is now the Metropolis battle, with the Sahara Desert fight pushed back as the point of no return or, if you prefer, the straw that breaks the camel’s back. This is still very much Zack Snyder’s BVS, but the most egregious elements towards the source material are omitted. Neither Batman nor Superman wantonly kill people. Furthermore, the Knightmare scene and mid-movie Batmobile chase are completely omitted.

(Rather Long) Complete Cut-List
• Wayne Murder/Metropolis Scene Kept Relatively Intact:
o Cut Thomas Wayne trying to punch Joe Chill.
o Ended Metropolis Scene prematurely, as Batman about to save girl (footage will come into play later).
• MOVED UP: TV Montage of Superman Debate from mid-film to function as a veritable “reaction” to Superman’s existence. In any case, it clarifies the political situation far sooner.
o Patronizing scene of Day of the Dead festival in Mexico completely axed.
• The first act is heavily restructured for (attempted) structural clarity:
o Wallace, not Superman, is the ONE watching these TV montage. (Established via a shot of his newspaper-covered apartment).
o MOVED UP: Wallace’s defacing of Superman monument.
o Consequently, the Daily Planet reacts to the news.
o MOVED UP: Clark calling Ma Kent. End with “Nothing was ever simple…” TO
o Introduction of Batman Branding Scene (Kept Ultimate Cut Extensions with Football Game)
o MOVED UP: Branding Victim Being Jailed, which, as per Ultimate Cut editing, connects directly with Wallace getting released from prison. Now, THE FIRST TIME we see Luthor is when he ominously turns around in the bomb-filled wheelchair.
o Clark sees the news of the branding on TV (Theatrical Cut version). The rationale was that this, along with Perry’s warning about Gotham, would be sufficient, to make Clark curious about Batman. (I wasn’t a fan from a performance perspective of the short Ultimate Cut scene with the blind man in Gotham.)
o Clark researches the branding more on his computer.
o MOVED UP: Clark proposes that he write an article about Batman.
• Redubbed Lois, so she is asking permission to go to the Sahara and see desert radicals.
o MOVED UP: Clark receives invite to the ball, cut from “Charity crone with a thing for nerds…” TO
• (When Clark warns Lois, he is now implied to be talking about the terrorists being dangerous, due to the restructure).
o PUSHED BACK: Lex Luthor at LexCorp, meeting the senators, cut from “Kindness of monsters…” TO
o Batman in Batcave. We see KGB Beast’s face for the first time, so the audience will start to glisten some significance of seeing him in the desert.
o Lex Luthor and Finch talking in his study. His warning about monsters coming from the sky is pre-emptive, as the Sahara scene is about to happen. The intention was to play like the moved-up opera scene in L8wrtr’s cut of Revenge of the Sith.
o PUSHED BACK (HEAVILY): Entire Sahara Desert Sequence
• Superman’s first official “action” in the movie is no longer killing the General. The General runs off when he hears firing.
• Superman smiles after stopping the drone.
• Sahara Desert functions as the point-of-no-return, as Metropolis was already an adequate inciting incident.
• The second act is likewise shuffled around, though it starts becoming like the Ultimate Cut towards the end.
o Senate Hearings begin.
• I strongly felt that the hearings were a big enough deal to Superman that they should only begin at the outset of Act 2 and not be seemingly “forgotten” about for a long stretch of time.
• Ends with shot of male Senator TO
o Male senator grants Lex access to Zod’s body and the crashed ship.
• No stuffing a Jolly Rancher in a senator’s mouth. (Lex is not yet full-blown crazy at this point.)
o Wallace arrives at Finch’s office, directly after, in order to fully highlight Lex’s manipulation.)
• Lex’s machinations punctuated with a literal punch TO
o The underground fighting scene featuring KGB Beast and Batman.
o Lois arrives back at her apartment and examines bullet; bathtub scene.
• End with delicate fade to black over scene of intimacy, connects with next scene…
o Batman in bed with anonymous person. He receives his invite to the party too.
o MOVED UP: Lex Luthor gets knowledge from Kryptonian ship.
• (I actually believe this scene was originally meant to be earlier, as Lex’s outfit matches the one he wore in the earlier montage.)
• Scene ends with Lex screaming, overloaded by knowledge.
• Implication here is that this sends Lex over the edge, justifying somewhat his erratic rationale for the rest of the film.
o Lex Luthor’s party.
• Lex Luthor’s somewhat awkward speech about knowledge seemingly corresponds with the fact that he has already downloaded a bunch of alien knowledge.)
• Superman no longer follows Batman downstairs.
o Lois examines bullet with STAR Labs scientist.
• CUT overdone line: “See, that’s what makes you a good reporter.”
o Scenes play out in order of Ultimate Cut:
• KGB Beast orders branding victim’s execution; branding victim’s execution.
• Lois Lane in the men’s bathroom.
• Perry scolds Superman.
• Gala scene with Wonder Woman and Batman (included Ultimate Cut additions).
• Batman starts decrypting files…
o Radically retooled Batman’s nightmare.
• Knightmare footage and flash of The Flash completely axed.
• Batman instead remembers the Metropolis battle. Here, we see the conclusion, cut from the beginning, including the part where he gives Superman a death stare.
• Structurally, I was never sold on the idea of already establishing Batman’s animosity for Superman so early on then seemingly ignoring it with a plot about a “dirty bomb” for the next hour. This seems to connect the animosity and the next scene.
o Batman argues that Superman is a menace with Alfred INTERCUT with Superman receiving photos of branding victim, including Ultimate Cut additional scene of going to Gotham.
• Pushed back shot of Perry asking for Clark for later use.
o Batman puts a tracer on the LexCorp truck with the Kryptonite.
o Cut Batmobile chase, where Batman MURDERS people. This also removes Superman uncharacteristically threatening Batman.
o Batman arrives at the Batcave (Batmobile no longer messed up.)
o Scenes play out in order of Ultimate Cut:
• Lex Luthor receives kryptonite.
• Lane confirms that bullets are special.
• Finch demands Superman appear before the Senate.
• Various characters see this on TV.
o PUSHED BACK: Perry asks for Clark. Questions Jenny “Does he click his heels three times and go to Kansas?” TO
o Superman in Kansas, talking to his mother.
o Scenes play out in order of Ultimate Cut:
• Senate witness confesses lying to Finch.
• Lane finds out more info about the bullet, including the connection to LexCorp.
• Bruce Wayne watches on TV.
• Finch and Luthor share some barbs.
• Senate witness is killed.
• The ill-fated senate hearing (with Ultimate Cut addition of Superman saving people).
• Alfred chops wood.
• Batman gets kryptonite.
• Lois and Superman at the hotel.
o Batman training montage, with added shot (from earlier) of looking at Jason Todd costume pensively.
o Cut Batman finding files on Wonder Woman (really inappropriate pacing-wise).
o Scenes play out in order of Ultimate Cut:
• Lex resurrects Zod.
• Lane sees newsreport about Superman.
o Cut scenes of Superman willingly abandoning humanity and heading off to Antarctic.
o Lane investigates further into Wallace with Ultimate Cut additions (fridge full of food, lead-lined chair, etc.)
o Scenes play out in order of Ultimate Cut:
• Alfred and Bruce in the ruins of Wayne Manor.
• Ma Kent being kidnapped.
• Batman lights Bat Signal.
• Lane kidnapped.
• Lane and Lex talking on the roof.
• Superman saves her/is told that he must kill Batman.
• Clock starts ticking.
o Cut pace-killing scene of Wonder Woman getting an email (pushed back to later) but retained Superman scene, saying “No one stays good forever.”
• Furthermore, chronologically, it doesn’t make sense. Why is Wonder Woman lounging in a hotel room, only to be boarded, ready to go on an airplane soon after?
o Schlock filled battle between Batman and Superman remains the same as Ultimate Cut.
• Sorry, but the one gripe I didn’t have about the movie was the Martha scene.
• The third act is almost untouched.
o Used theatrical cut footage of excellent Batman warehouse scene (so it’s less obvious that Batman is murdering people).
o Scenes play out in order of Ultimate Cut:
• Superman confronts Lex.
• Doomsday awakens.
• Doomsday and Superman fight at the monument until Doomsday hits him off to parts unknown.
o Cut large section of Doomsday battle, where Superman comes back to punch Doomsday into space, only to be hit by a US nuke.
• (I felt this was a highly redundant action beat, considering we just saw Superman taken out of action, and we’ll see him ACTUALLY die in the next 20 minutes or so. Not to mention the fact that it paints out the military to be completely idiotic.)
• Instead, it plays out this way:
• Wonder Woman sees Doomsday dispatch helicopters and leaves to go help.
• Batman arrives on the scene and is almost immediately taken down. (CUT bit where he tells Alfred that they need the spear, as Batman doesn’t actually do this, Lois does.)
• Wonder Woman saves Batman.
• Superman arrives back to help. (He is presumably arriving from being thrown after the monument scuffle, rather than returning from space.)
o Scenes play out in order of Ultimate Cut:
• The trio fights Doomsday.
• Superman dies.
• Lex Luthor is arrested.
• Montage of mourning Superman.
• Lois receives ring.
• Clark’s funeral.
• Rousing speech of Batman talking about rebuilding, with people holding vigil around broken monument.
o Cut scene of Lex Luthor and Batman. It just feels awkward, considering that it’s the second time we cutaway from the funeral scene, only to return.
o Final shot is extended shot of Batman walking away on his own, presumably to assemble the Justice League. No floating dirt tease ☺
o Post-credits sequence (because apparently DC movies have those now too): Wonder Woman finds email with videos of future Justice League members.

Thank you to darthrush and Octorox very much for testing an earlier version of this. If anyone would like to test this new version, which runs 2 hours and 30 minutes, I’d be much obliged. Please PM me.

The workprint should be available soon.

When finally released, the end result will be a 5GB 720p MKV and a full-bitrate 1080p BD50.

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First round of PMs sent to those interested in testing the workprint, which is NOW AVAILABLE.

It’s not too late, of course, and I’d love more testers. 😃

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Sounds pretty killer. I am willing to help if needed and the edits you’re proposing can only make things better–and Bats deserves the best.

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one69chev said:

Sounds pretty killer. I am willing to help if needed and the edits you’re proposing can only make things better–and Bats deserves the best.

PM sent!

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Looking over your cutlist, this looks like it resolves a lot of the problems I had with your first cut. I would definitely be interesting in checking this out. I promise I’ll provide some useful feedback this time!

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Iv been on Vacation the past week and will be for one more week before I can test this but I have throughly reviewed your entire Cutlist and am filled with excitement to say the least. It looks to be an improvement from the earlier version. I can’t remember it clearly but are you using the ultimate edition shots of Empty streets, shops, buildings at the end? Thanks again! 😃

Return of the Jedi: Remastered

Lord of the Rings: The Darth Rush Definitives

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Wow, what an improvement. Thanks so much for letting me check out your edit===it blows away the original cut.

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I would definitely be interested in seeing the workprint you’ve put together and giving you any help I can. I’m not too advanced in editing, but I do know a bit. Just like a lot of people I really want to like this movie, but it’s just so crammed full of unnecessary subplots and failed fanservices. I wouldn’t go as far as comparing it to TPM, as I strongly believe that we can get a solid movie out of this. I really like the idea of keeping the Bruce Wayne POV of Metropolis’s destruction, cutting the Africa scene, and putting Superman on trial for the destruction of Metropolis. Anyway, keep up the awesome work.

“A little death makes life more meaningful.” -Mark Hoppus

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one69chev said:

Wow, what an improvement. Thanks so much for letting me check out your edit===it blows away the original cut.

Thanks for the kind words and the thorough feedback, very helpful indeed.

darthrush said:

I can’t remember it clearly but are you using the ultimate edition shots of Empty streets, shops, buildings at the end? Thanks again! 😃

Yup, I am still using those Ultimate Edition shots. But, as per a great suggestion by one69chev, I might trim the priest and the bit about who’s footing the bill for a more streamlined funeral scene.

darthrush said:

And if you wanted to put some key revised scenes on Vimeo I could begin previewing.

Not a big Vimeo user, but here are some clips on YouTube that show off some of the more radical changes! 😃

New Opening Montage: https://www.youtube.com/watch?v=wO4xH1457pc
Clark Warns Lois (About Going to the Desert): https://www.youtube.com/watch?v=g5UNwNEr1ao
Altered Desert Sequence: https://www.youtube.com/watch?v=My499dvJUmU&feature=youtu.be
No Feeding Senators: https://www.youtube.com/watch?v=Zr26NwHQ2rc
Coitus to Coitus Cut (A problematic bit tweaked from the workprint): https://www.youtube.com/watch?v=fDsmAwDAcgw
Too Much Knowledge (Lex Gets Info on Kryptonian Ship): https://www.youtube.com/watch?v=vcV1yRcQL0g
No Talk About Parents Pre-“Martha” During Fight (as per a suggestion on fanedit.org): https://www.youtube.com/watch?v=9yWzHOX9Wc8
Trimmed Doomsday Fight: https://www.youtube.com/watch?v=Uf31MyOGsVE
A Simpler End: https://www.youtube.com/watch?v=I1gU7xVMcUA

Some of these clips have been adjusted from the past workprint, particularly the “Too Much Knowledge” bit, which no longer has a scream. Love to hear any and all thoughts, and, of course, it’s not too late to request the workprint! 😄

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I just finished watching the workprint you put together and I really like what you’ve done so far. The pacing is a lot better and makes for a much nicer film. I just want to share my ideas and some things I’ve noticed.

*In the intro, I feel it would be a good idea to leave batman saving the girl and embracing her where it was instead of in place of the nightmare sequence. I get what you were going for with that edit, but to me that really gives the viewer an idea for why Batman has this hatred towards Superman early on in the film. Also from what I’ve seen done by other editors and pulled off really well, you could skip past the encrypting sequence altogether. Go from “starting encryption” to the Lexcorp logo. Just skip the percentage screen.

*During Batman’s intro at 17:58-59 I think it would be a good idea to obscure batman from vision as to retain the mystery behind him this early on. I saw another editor do this and it worked really well. Just cut to him running away on the ceiling or whatever haha. It always seemed odd to me that he just stood there silently while the officer looked at him.

*Lois going to Africa feels a bit rushed but I don’t know if there’s anyway to fix that.

*I love the flashback after the Martha namedrop

*It might’ve just been me but the doomsday fight felt a tiny bit rushed. Not really a big deal and I love how you kept it on earth.

*Still not sure how I feel about “Is she with you” line. Take it out and it’s like “Ok well I guess Wonder Woman’s here now.” Leave it in and you’re left thinking that he literally just met her 45 minutes ago. But it definitely works better now that you took out the whole email exchange between the two.

After watching this I’m really excited to see what you bring to the table with this edit. Keep it up!

“A little death makes life more meaningful.” -Mark Hoppus

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Also, part of me feels this film may benefit greatly from introducing Bruce Wayne at the LexCorp event, but I also feel his POV of the Metropolis destruction is integral to his motivations for hating superman so much. Also I don’t know if that would work well or not. I would like to see it if anyone could pull it off though. I think this film suffers from switching back and forth between Batman/Bruce’s story and Superman/Clark’s. If it were focused more on Superman I think it would help the pacing a lot.

“A little death makes life more meaningful.” -Mark Hoppus

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JustDC said:

Also, part of me feels this film may benefit greatly from introducing Bruce Wayne at the LexCorp event, but I also feel his POV of the Metropolis destruction is integral to his motivations for hating superman so much. Also I don’t know if that would work well or not. I would like to see it if anyone could pull it off though. I think this film suffers from switching back and forth between Batman/Bruce’s story and Superman/Clark’s. If it were focused more on Superman I think it would help the pacing a lot.

You’ve given me an idea (that I hope Aluminum will consider since I have NO editing skill), what if instead of showing the last part of Bruce in Metropolis saving the girl as the nightmare, we’re left wondering why Bruce hates Superman up until he has that whole opening sequence as a PTSD nightmare.

Another idea we could add to this is instead of having him save the little girl, we see the large metal thing (don’t remember what it’s called) coming towards the screen and that being what abrubtly wakes Bruce up from the nightmare, with the implication being that the little girl was killed in front of him, which gives him even MORE hate towards Superman.

So, what do you guys think?

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JustDC said:

*In the intro, I feel it would be a good idea to leave batman saving the girl and embracing her where it was instead of in place of the nightmare sequence. You could skip past the encrypting sequence altogether. Go from “starting encryption” to the Lexcorp logo. Just skip the percentage screen.

I think this is a pretty solid suggestion. The intro as-is in the edit doesn’t work, and this seems like the more obvious fix. SkywalkerFan01 does propose something different though, down below, which I personally lean towards a tad more.

*During Batman’s intro at 17:58-59 I think it would be a good idea to obscure batman from vision as to retain the mystery behind him this early on. I saw another editor do this and it worked really well. Just cut to him running away on the ceiling or whatever haha. It always seemed odd to me that he just stood there silently while the officer looked at him.

Was this the edit that color corrected the corner, so it was harder to see Batman? If so, I like that idea.

*Lois going to Africa feels a bit rushed but I don’t know if there’s anyway to fix that.

Like you say, it would be hard to tweak it more with existing footage. I do like that it seems Classic Superman, though, that Lois would intrepidly rush off into a dangerous situation with Clark warning her, only to necessitate a later save by a smiling Superman.

*I love the flashback after the Martha namedrop

Wish I could take credit, but that was in the theatrical cut already! 😄

*It might’ve just been me but the doomsday fight felt a tiny bit rushed. Not really a big deal and I love how you kept it on earth.

Still goes on a bit too long for me, but perhaps that’s personal preference. 😃

*Still not sure how I feel about “Is she with you” line. Take it out and it’s like “Ok well I guess Wonder Woman’s here now.” Leave it in and you’re left thinking that he literally just met her 45 minutes ago. But it definitely works better now that you took out the whole email exchange between the two.

Yeah, I tried to retain whatever humor I could. God knows that some levity is needed, but in context, it is a bit non-sensical.

This post has been edited.

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SkywalkerFan01 said:

You’ve given me an idea (that I hope Aluminum will consider since I have NO editing skill), what if instead of showing the last part of Bruce in Metropolis saving the girl as the nightmare, we’re left wondering why Bruce hates Superman up until he has that whole opening sequence as a PTSD nightmare.

Funny you should say that. That’s how I had the sequence edited in my earlier version of this edit: Man of Tomorrow. Many things in that cut didn’t work, but moving the whole thing back did. I daresay it works better than keeping it intact in the beginning.

Though I’m generally not a fan of withholding a character’s motivation for such a long duration of time, I think it is at least partially justified because Batman doesn’t ACT on this motivation until after the dream sequence. I remember finding it horribly distracting in the cinemas to find that after the traumatic Metropolis ground sequence, Batman was on a completely unrelated case, chasing after a dirty bomb. This way, we get hints of it (dialogues with Clark and Alfred) before it being completely revealed.

This also has the wonderful bonus effect of us seeing Batman before the grown Bruce Wayne and also makes it clearer that the narrative is focusing on Clark/Superman as its main character.

So, consider me a BIG FAN of this idea! 😄

Another idea we could add to this is instead of having him save the little girl, we see the large metal thing (don’t remember what it’s called) coming towards the screen and that being what abrubtly wakes Bruce up from the nightmare, with the implication being that the little girl was killed in front of him, which gives him even MORE hate towards Superman.

An interesting thought, but the problem is that it removes Bruce staring furiously at Superman above, which I think is an essential moment.

That all being said, I was actually trying to go with the idea that the girl may have died for the version of the edit currently circulating (the large metal beam cuts off the Metropolis sequence in the beginning and then the conversation with the girl only is in the dream). Because we only see the girl saved in Bruce’s dream, it was ambiguous whether or not he managed to save her in real life. All that is clear, being a dream, is that Bruce clearly hates Superman.

But, of course, I don’t think the current edit did a good enough job of establishing it.

I’m moving towards your first suggestion of pushing the entire Metropolis flashback until later, but having it where it was originally and just cutting the dream sequence (as Just DC suggested) is another option.

Again, would love to hear more thoughts on this, especially if there were any testers who thought the edit as-is worked.

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SkywalkerFan01 said:

JustDC said:

Also, part of me feels this film may benefit greatly from introducing Bruce Wayne at the LexCorp event, but I also feel his POV of the Metropolis destruction is integral to his motivations for hating superman so much. Also I don’t know if that would work well or not. I would like to see it if anyone could pull it off though. I think this film suffers from switching back and forth between Batman/Bruce’s story and Superman/Clark’s. If it were focused more on Superman I think it would help the pacing a lot.

You’ve given me an idea (that I hope Aluminum will consider since I have NO editing skill), what if instead of showing the last part of Bruce in Metropolis saving the girl as the nightmare, we’re left wondering why Bruce hates Superman up until he has that whole opening sequence as a PTSD nightmare.

Another idea we could add to this is instead of having him save the little girl, we see the large metal thing (don’t remember what it’s called) coming towards the screen and that being what abrubtly wakes Bruce up from the nightmare, with the implication being that the little girl was killed in front of him, which gives him even MORE hate towards Superman.

So, what do you guys think?

I really like that. But what if we used the entire Metropolis destruction in place of the nightmare instead? I always liked the idea of the girl surviving but her mom being killed in the destroyed building. I always thought it was more powerful in that it’s suggesting Superman’s aftermath has destroyed families. We could introduce Bruce at Lex’s event, where it’s already obvious he dislikes Superman, flashback to Metropolis during the encryption and it would give some exposition.

This post has been edited.

“A little death makes life more meaningful.” -Mark Hoppus

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The Aluminum Falcon said:

JustDC said:
*I love the flashback after the Martha namedrop

Wish I could take credit, but that was in the theatrical cut already! 😄

Haha really? And also I didn’t even realize you were the editor who made Man of Tomorrow. That’s probably one of my favorites! I just watched it last night and was really blown away. Nice job man.

“A little death makes life more meaningful.” -Mark Hoppus

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I’m very curious about your edit, sounds like you may have fixed a number of issues I had with the film. I would be up for testing either the current version and/or the next one!

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The Aluminum Falcon said:

So, consider me a BIG FAN of this idea! 😄

YAY! I said something of worth! 😄

An interesting thought, but the problem is that it removes Bruce staring furiously at Superman above, which I think is an essential moment.
That all being said, I was actually trying to go with the idea that the girl may have died for the version of the edit currently circulating (the large metal beam cuts off the Metropolis sequence in the beginning and then the conversation with the girl only is in the dream). Because we only see the girl saved in Bruce’s dream, it was ambiguous whether or not he managed to save her in real life. All that is clear, being a dream, is that Bruce clearly hates Superman.

The more I think about it, the more sense it makes to keep the girl alive, I just liked the idea of having something aburpt and violent wake Bruce up since he basically jumps out of his chair when he wakes up in that scene. But having him stare angrily at Superman and having the girl point at where her mother once was does much more for his Super-Hate (see what I did there?).

Short version of post, girl dying means ruder awakening, girl living means more Super-Hate. Logic (by logic, I mean my opinion) dictates that more Super-hate is better for the story.

But it’s your edit and I trust your judgement since I really liked this edit, which I forgot to mention in my previous post, lifes been kinda crazy lately, but when I get the time I’ll watch the edit with a pencil and paper at my side for notes so that I can give you a detailed review since honestly, you deserve no less. Good Luck! 😄

This post has been edited.

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I forgot to ask, but when will this be officaly ready, sometime in the next few weeks?

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darthrush said:

one69chev said:

I forgot to ask, but when will this be officaly ready, sometime in the next few weeks?

We are in stages of discussing different ideas so it’s an indefinite time period. If you come up with enough good ideas yourself then it could cut the wait time in half for all we know 😉

Thanks for the update, but I’m no editor, just curious observer and bat fan. I previously sent a pm with some observations to TAF, but nothing too crazy or earth shattering. However, if I think of something truly inspired,I will be sure to pass it along. Cheers…

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one69chev said:

Thanks for the update, but I’m no editor, just curious observer and bat fan. I previously sent a pm with some observations to TAF, but nothing too crazy or earth shattering. However, if I think of something truly inspired,I will be sure to pass it along. Cheers…

On the contrary, your observations have been genuinely invaluable, one69chev!

Sorry for the long hiatus; put simply, I’ve been on vacation! 😃

Thanks to all in this thread (and PMs) for all the various suggestions to help fix this film and refine my edit. The film has changed a fair amount from the workprint, and I do think I am going to have the Metropolis sequence in its entirety form the “Knightmare” sequence for reasons addressed in this thread.

To respond to an earlier question, I’m actually going to try to tie this edit up in the next two weeks or so. I may do a Batman v Superman: The Third Alternative- Special Edition 😃 in the far future, but, for now, I think it’s entirely possible and preferable to reach some sort of completion point for a high quality (1080p BD25 or BD50) release.

That being said, but for those testers out there who haven’t given me feedback, I need it by Wednesday or Thursday at latest to have a proper opportunity to input your suggestions in the high quality release. I understand, of course, that weekday lives can be busy, so no pressure.

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I have to say I love both already available versions, but if you would like I would love to take a look at your version as well, and give you my thoughts and I can pretty much guarantee I will be burning a finished copy for my own collection when it is finished completely.

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