Whist these are really cool, the scanner is not designed for IB Tech, and doesn’t have the correct light source, sensor, or post processing LUTs available to get it to be accurate to a projected print.
It is a cool thing to do, but it isn’t going to be accurate, even the response curve of the sensor is going to be considerably off for this film type.
Yeah I was going to say the same thing. That’s a scanner designed for photographic film, not motion-picture film. I don’t mean to troll the thread or curtail your enthusiasm for colour correction DrDre, but how is it any different from just getting the scan of the full film and then balancing the soundtrack to look consistent?
Also, all professional commercial scanning units perform their own white balance/light calibration prior to scanning each reel. For example you can see it in action at 2:15 in this video:
