JC has also altered the colour grading, in a similar vein to that visited upon Aliens and The Terminator.
Actually, the home video colour of all the films were wrong, if that’s what you hold as sacrosanct. They did not reflect the photochemical finish of the 35mm prints, which had more yellow, teal, purple and brown. This was the case with almost all mainstream studio films back in the day. Titanic’s colour timing is no exception.
The digital grading of 2012 tries to go back to that look but because of the limitations of the Rec 709 colour space, it still cannot achieve that result.
From what I have seen, Aliens, The Terminator, all look close to their 35mm couterparts but not the same.
Plus we will also have both the DTS audio and the optical audio. Our scanner has run a few reels through his projector and said the optical mix sounds terrific. Speaking of which, is it best to simply leave it a a Dolby Surround 2.0 PCM, or should we decode it to 4.0?
How many channels does the optical track have? That is what should be kept in the release, “as is.”
RU.08 said:
…we have a print of the film now that we can make our own release from. 😃
Well, can one of such releases contain the full height of the cells, pleeeaaasssee???