Complete list of changes for Act I:

-Most of the opening credits were cut and moved to the end of the film.

-I rearranged several shots during the sequence in and around Julio’s birth:

The shot where Karl is standing alone was recut and sped up very slightly to fit the timeline
The title card introducing the Frenchman Marcelo was slowed down. It wasn’t readable before
The shot of Marcelo taking the swaddling cloth was slowed down to fit the timeline
Cut to: closeup of Marcelo was inserted to improve the flow of the sequence
“I need one of my own breed” title card was slowed down. It wasn’t readable before
The closeup of Marcelo was cut from this part and inserted into the earlier part I mentioned

I’m not sure if that list is exhaustive or not. I did quite a few rearrangements during that sequence.

-The title card and music introducing the Boca quarter of Buenos Aires was cut. I feel like all of that pointlessly slowed down the film and preferred an immediate cut to the famous tango sequence.

-The title card introducing Luisa, Madariaga’s elder daughter and Julio’s mom, was slowed down. It wasn’t readable before.
-The shot of her that immediately follows was recut, in order to fit the timeline.

-The next shot of Chichi dancing was also recut for the same reason.

-The title card for Madariaga’s will was slowed down to make it readable. As you can see, some title cards in the TCM presentation just barely flashed on screen.

-The following shot of the family was recut to fit the timeline.

Some of these edits were technical fixes to the poor title card presentations done by TCM, but the ones I worked on the most focused on improving the flow and pace of the film. Especially for a modern audience trying to watch a silent picture, I thought it was really important to not test anyone’s attention span, and get into the movie as fast as possible. That’s why I cut the interminably long opening credits and moved them to the back of the film. The Boca quarter title card was just another unnecessary stoppage that slowed the film down in its tracks, and I think it’s an improvement to keep the dramatic narrative going in the way that I did.

Unquestionably the most novel edits I created were those in the sequence surrounding Julio’s birth. I found the original cut to be quite jarring–I don’t think it flowed very well in comparison to the sequence that I recreated.

I’m currently working on the much more difficult Part 2 now.