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Snake Burton

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Members
Join date
20-Jan-2015
Last activity
7-Sep-2015
Posts
27

Post History

Post
#786522
Topic
Escape From New York [spoRv] *BD-25 RELEASED*
Time

PDB said:

_,,,^..^,,,_ said:

UK BD is really ugly...

 Agreed. Looks like yours is the closest which is fine by me since that is the one I watch. Still curious to see what the Shout looks like. Especially to see if it has the slight blue tint of the 35mm, if the 35mm pic is to be trusted.

 

Sorry bro, I'll get it sorted today some time lol

I have 10 copies of teh movie ranging from LD to BD and the TV Rip

To me the Shout factory one wins but only with its own issues, which is forgivable, as its the lightest untouched copy available

Post
#771133
Topic
Escape From New York [spoRv] *BD-25 RELEASED*
Time

x5gb said:

The fact is it shows more picture, the more the better, John Carpenter and Dean Cundey are well known in making sure every inch of the full frame widescreen was used without dead space when filming their movies. The Hdtv was closer to the Scream as well framing wise which is why it was used instead of the MGM in v1.0. The whole point in the SpoRv v2.0 is to fix any errors with the Scream and I thought it has already been agreed the Scream should be used, The MGM is way to dark and like Snake Burton has said is crushed and beyond fixable and fixing the Scream will be way more fun to play with. Laserdisc Master has already asked which scenes need to be fixed in the Scream as well.

 I just put him on ignore, no need to reply to him based on his so called expert opinion

He does this on another forum too, just argues baseless facts

I'll take a picture of my EFNY collection today, pretty sure I have 10 copies on hand

:D

Post
#766865
Topic
Escape From New York [spoRv] *BD-25 RELEASED*
Time

I'm @ the train atm and you can clearly see everything shot during dark scenes, which is great

Blacks do not get crushed, but some anomalies, Dat blue line, eww

Hauk and Plissken office meet, very next shot of Snake sitting down, background image, wall moire is bad, really bad, you will see it, I wont spoil it for you

Now I was listening to Debra Hills commentary, or someone elses, where they were saying how lighting was done on Snakes head, with 1 light, red from behind, in the cockpit of the glider

This movie was pretty much shot on a shoe string budget, it was state of the art at the time when you see how they did it all

I just dont think this will get any better unless they do a proper 4K rip from the negative, and we all know this will never happen

As far as I am concerned, this is as good as it will get

Post
#766721
Topic
Escape From New York [spoRv] *BD-25 RELEASED*
Time

I have a sneaking suspicion that the SF release is going to be a very cool thing to play around with

It's comes with the best possible sound source, DTSMA

An amazing PQ for ability to resolve more detail than any previous releases

I lighter PQ which allows for another gamma treatment

All these things lead to someone who is as skillful as our beloved CatMan, having an un tampered copy of EFNY which can now be adjusted to suit as an intended release

Remember, once something is too dark, nothing can be done to fix any underlying issues

I am guessing no pun intended that the SF release is a somewhat Darkhorse lighter expose release which can be gamma corrected

Blacks are not crushed on this copy either, the sound is as good as it gets imo

I have 9 copies of this film thus far, I'd like just 1 so I can enjoy

Oh just so you know, some revealing things, you can see when Airforce one is doing a flyby in the cloudscape, 1 of the clouds has a nice black pole holding up another cloud, which I have never ever noticed, or can remember, in my last 300 viewings of this film

I am then treated to heli fly over of NYC, in Green pseudo CGI, I see cars on the ground, I had to do a double take

Even the blips have new meaning to this film

Start of the film, when you 1st see the map, radial circles, all the detail, all I can say is, best detail resolving copy I have seen