TServo2049 said:

It's just the YouTube sample.

 exactly.

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more from the 8mm

scene 10/18

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scene 11/18

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scene 12/18

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here are more scenes from the super 8.

scene 13/18

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scene 14/18

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scene 15/18

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Hey Negative1, I was just skimming through Puggo's 8mm Digests, and noticed that in Empire, the dark underbelly of the Star Destroyer is in there like you guys described of the 35mm.

Just thought you might like to know.

Asaki said:

Hey Negative1, I was just skimming through Puggo's 8mm Digests, and noticed that in Empire, the dark underbelly of the Star Destroyer is in there like you guys described of the 35mm.

Just thought you might like to know.

yeah,  saw that awhile ago.

the 8mm and 16mm versions are

my favorite ones.

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the last few scenes from the 8mm..

scene 16/18

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scene 17/18

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scene 18/18

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msycamore said:

A very late reply, I must have missed your post and completely forgot about this ;) Anyway, this was the picture I was talking about:

And you're right, now when I've seen the Japanese Special Collection transfer recently it is more close to it in color than the "GOUT." But I don't know if this picture is any true representation of it's original cinematography and colortiming, I just got very nostalgic when I saw this photo and thought to myself, this is how it's supposed to look. But I guess we'll never know... 

also the Canyon scene with Artoo being captured is very bright compared to the "GOUT" release.       

 ok, here's the frame.. again uncorrected color..

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It have since been discovered that the bright sunset picture where you quote me is a promo pic of the '97 Special Edition. It was also used in Rinzler's making of book.

TServo2049 said:

More ruminations on the 70mm film cells. Here is a frame that looks too yellow-green:

 

here's a very rough version from our red reel,

with the red taken out..

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msycamore said:

I tracked down this comparison from the The XØ Project thread, there really is a huge difference.

here are the two very dark frames with luke and c3po

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Red5 said:

These two Senator theatre pictures seems to have been taken with the exact same exposure settings.

The R2D2 canyon shot seems to have more or less the same brightness level as the GOUT but the shot with Luke looking at the sunset is clearly much brighter and with higher contrast.

The question remain though if it was a 'deliberate creative decision' to make the sunset appear darker in the GOUT (1993 telecine) or simply the effect of the colourist trying to hide the defects from a noisy and faded print, which is what I tend to believe.

 

here is our version:

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negative1 said:

here are some

images from a screen

showing the 8mm derann

star wars print:

NOTE: this print was sealed up until

a few days ago, so should be in near mint condition

====================

 

 

here is our version of it:

--

 

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TServo2049 said:

Someone's offering a flat 16mm print of ROTJ on eBay. 

http://www.ebay.com/itm/16MM-FEATURE-FILM-RETURN-OF-THE-JEDI-THEATRICAL-LPP-ESTAR-PRINT-/190651839704?pt=US_Film&hash=item2c63bc34d8

It's basically useless for preservation, since it's cropped, but it's still interesting because not much thought is given to the original color timing of Jedi. I've always assumed that ROTJ had the most consistent color over the years; do these images look different from how the film looked on video?

 here's pictures from that print:

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Maybe these have been posted here already?

35mm

70mm

They are taken from in70mm.com btw.

Whoops! wrong film. ;)

these are from another super 8mm.

some are red, and others have the

color still in them:

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msycamore said:

Maybe these have been posted here already?

35mm

70mm

They are taken from in70mm.com btw.

 here's ours:

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