negative1
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negative1the 2nd part of the trash compactor scene
is up. along with shots.
this shows how cropping parts of it helps
the image, as there is a large red glow
on the bottom part of it.
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Asaki
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Chicken Boo said:
With regards to the red-tinted print, there was an article not too long ago (I can't seem to find it now) about the print they had at the National Film Registry. Their's was pink as well, but they used some sort of color correcting magic and made it all work.
This team is already equipped with said magic ;) Though IIRC, the pink film that's spliced into their main print isn't as pink as this other reel they're testing on.
To help the analysis further, take a look at these close ups of Obi-Wan's beard -- STENDEC
negative1
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negative1ww12345 said:
Brooks said:
negative1 said:
i'm not saying anything bad or extreme will happen. but better to play
it safe than sorry.
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please please please capture jedi too if you have any concern the prints will be confiscated or otherwise made unavialable. To have SW and Empire but not Jedi would be heartbreaking (to me, anyways)
+1. I would hate for anything to happen before Jedi was finished. :(
even though it's years away. my contacts say that they have a source
that should be ready by the time they are ready to work on it. it should
be a pretty quick turnaround, since all those prints are LPP. maybe by
then 2k/4k will be more popular then.
later
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Red5
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negative1 said:
ww12345 said:
It shouldn't case color shift unless it was on an Eastman stock or something fade-prone, in which case the colors being removed would be part of the base dissolving or decomposing.
Filmguard is cleaning out that scratch line - it has minor cleaning properties. Basically, when you see a black scratch, that is dirt in the hole. Each of the other colors are emulsion layers being exposed, until you get to the white/clear base color of the film!
correct, this is what cinch has to say about it:
"no, it doesn't alter color space at all. the change on the dolby trailer was just due to different color temperatures set on the capturing cam, that's all. filmguard doesn't even cause changes in opacity, so it is optically clear."
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Good to hear, I suspected different settings had caused the colourshift after I also watched the oceans 11 sample which didn't show any noticeable shift at all, although here the cleaning effect wasn't as pronounced either compared to the DD sample.
Do you plan to recapture whole SW and possibly ESB with FG treatment then? if these promising test results seems consistent of course.
negative1
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negative1Red5 said:
correct, this is what cinch has to say about it:
"no, it doesn't alter color space at all. the change on the dolby trailer was just due to different color temperatures set on the capturing cam, that's all. filmguard doesn't even cause changes in opacity, so it is optically clear."
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Good to hear, I suspected different settings had caused the colourshift after I also watched the oceans 11 sample which didn't show any noticeable shift at all, although here the cleaning effect wasn't as pronounced either compared to the DD sample.
Do you plan to recapture whole SW and possibly ESB with FG treatment then? if these promising test results seems consistent of course.
star wars lpp - doesn't need it, and only the headers/tails might have
some slight effect on it.
star wars red reels - will be used on reels 2,4,5,6 - helped a lot,
reel 1 has too much damage to really be useful.
this is just backup, in case we need certain frames
or scenes
empire strikes back - not sure if its needed, but might try to it on reel 3,
and selected scenes. the thing is we've already
digitally cleaned up a lot, so we might not need to
attempt to try this at all
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lurker77
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The 1997 special edition restoration started by washing the film in a 104 degree sulfur bath.
Scratches are normally filled by printing or scanning the film while it's passing through dry-cleaning fluid, aka "wet gate".
For the 1989 Lawrence of Arabia restoration, when it came time to copy the negative to new stock, it started to tear apart from age & heavy wear - they were barely able to finish it...
negative1
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negative1the third part of the cropping in the
trash compactor scene..
remember, the 'ghost' image is the 35mm
which didn't line up with the GOUT. for the
most part they overlap very closely, but at
times due to the cropping the scene looks
slightly different.
pictures and a clip here:
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none
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Slightly off-topic but maybe of interest, a projectionist posted to Reddit:
http://www.reddit.com/r/movies/comments/wxf97/did_you_movie_look_dim_heres_why_bulb_change/
Pics from the bulb change: http://imgur.com/a/OOy8o
What does a projectionist actually do?: http://nesdroc.livejournal.com/123421.html
I run nine screens simultaneously. I'm alone for my usual eight hour shift.
lurker77
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If I may give my 2 cents on the digital vs. film debate...
People keep saying that "digital has better resolution than film prints that are many generations removed from the negative".
First, the majority of digital projections are in 2K, which is barely above 1080p, and not higher than a film print in any sense. Second, film has infinite resolution. People may count grains, but the grains themselves are not uniform. Information on film goes down to the atomic level. Although, most films these days go through a digital intermediate for colour correction, so the resolution will be stuck at that level no matter what.
Also, "digital is more stable and has better contrast/no scratches". To me at least, watching a perfectly stable film is distracting. It's like a moving painting. As to the image quality beyond just the resolution, although no scratches are nice, contrast & colour are locked to a certain range, which no matter what that range is, can be as distracting as the lack of movement. Film has very slight variations in every aspect of the image, aka "warmth", which is more natural to look at and therefore less fatiguing to the eye. I find that listening to lots of digital music, especially compressed, is fatiguing to my ears. Vinyl & cassette doesn't do that.
red5-626
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I No My Spelling and Grammar Stinks. If I offend I am Sorry.Brooks said:
Many Bothans died to bring us this restoration...
LOL
That should be on a tidal card just before the FOX logo.
silverwheel
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That's impossible, even for a computerlurker77 said:
If I may give my 2 cents on the digital vs. film debate...
People keep saying that "digital has better resolution than film prints that are many generations removed from the negative".
First, the majority of digital projections are in 2K, which is barely above 1080p, and not higher than a film print in any sense. Second, film has infinite resolution. People may count grains, but the grains themselves are not uniform. Information on film goes down to the atomic level. Although, most films these days go through a digital intermediate for colour correction, so the resolution will be stuck at that level no matter what.
Also, "digital is more stable and has better contrast/no scratches". To me at least, watching a perfectly stable film is distracting. It's like a moving painting. As to the image quality beyond just the resolution, although no scratches are nice, contrast & colour are locked to a certain range, which no matter what that range is, can be as distracting as the lack of movement. Film has very slight variations in every aspect of the image, aka "warmth", which is more natural to look at and therefore less fatiguing to the eye. I find that listening to lots of digital music, especially compressed, is fatiguing to my ears. Vinyl & cassette doesn't do that.
What this guy said.
"Somebody walks up and you say 'your number's 21-87, isn't it?' And boy, does that person really smile." - 21-87 by Arthur Lipsett
timdiggerm
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lurker77 said:
Second, film has infinite resolution.
Oh really?
Information on film goes down to the atomic level.
Oh, so not really. Cool.
Brooks
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I think its safe to say that most of us prefer film but the reality is that digital is cheaper and more convenient so we might as well accept that it's the new standard. Besides, without digital we wouldn't be able to make or share ANY of these restorations.
none
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I <3 VHS....
negative1
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negative1none said:
I <3 VHS....
i just got my first VHS deck a few years ago.
but it was for playback only. i've never recorded
anything on it.
i'm pretty sure it would be cool to transfer this
(or these) versions to a vhs tape. in fact, that's
one of the things i'm going to do first! seriously.
great idea!
later
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Asaki
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He's going to peddle it on street corners, in beat up cases labeled "Starkiller".
To help the analysis further, take a look at these close ups of Obi-Wan's beard -- STENDEC
red5-626
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I No My Spelling and Grammar Stinks. If I offend I am Sorry.timdiggerm said:
lurker77 said:
Second, film has infinite resolution.
Oh really?
Information on film goes down to the atomic level.
Oh, so not really. Cool.
I thought that a 4k scan was just over what a 35mm film frame had on it?
Maybe you need 5or 6 k for 70mm?
negative1
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negative1Asaki said:
He's going to peddle it on street corners, in beat up cases labeled "Starkiller".
that's GOUT-killer to you fella!
haha
later
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Joel
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Forum EnthusiastI thought that a 4k scan was just over what a 35mm film frame had on it?
Maybe you need 5or 6 k for 70mm?
If that's true, then you'd need 8K for 70mm.
negative1
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negative1red5-626 said:
timdiggerm said:
lurker77 said:
Second, film has infinite resolution.
Oh really?
Information on film goes down to the atomic level.
Oh, so not really. Cool.
I thought that a 4k scan was just over what a 35mm film frame had on it?
Maybe you need 5or 6 k for 70mm?
depends..
you can do 4k/8k scans of 35mm too.. it's not dependant on
the film.. just depends on how good the source is to take
advantage of it..
later
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lurker77
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4k is fine for "good enough" reproduction of 35mm - it will capture most of the perceivable information. But the subconscious mind WILL know that there's something missing.
canofhumdingers
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Doesn't know how to handle his new-found fameFirst let me say that I LOVE film for all the organic, "living" qualities already mentioned.
But for those who argue that 35mm film has more resolution than even 1080p material, I submit this article: http://www.cst.fr/IMG/pdf/35mm_resolution_english.pdf
In short, while film has the potential for higher resolution, the reality is that digital projection looks just as sharp or sharper. The real lesson to be taken from this is that resolution is not nearly as important as people make it out to be (I was reading another article about that specific topic but can't seem to find it right now). If you really want the highest quality moving image, you also need things like contrast, frame rate, and good color reproduction; all of which are just as important and work together to make a quality image.
The real problem wih digital (IMO), that others are kind of hinting at, is that it feels too sterile. It lacks the little inconsistencies, the gateweave, the scratches, the pops, etc that make it feel organic and alive and, i agree, less fatiguing to watch.
I should also mention that, when scanning film the quality of the source material is incredibly important. Working with a high quality OCN or IP can certainly provide enough information to make 4k scans or better worthwhile. It's just important to understand you're not seeing anything NEAR that at even the best theater. Which then opens the debate of should the goal of home video be to reproduce what you would've seen opening night? Or provide the best possible viewing experience, even if it's technically significantly BETTER than even an absolutely perfect theatrical presentation?
What thread am I in again?

The Humdinger Glitch, the new exciting novel from Robert Ludlum
negative1
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negative1here's just a preliminary test
of han shooting greedo.. there's
some color correction done to it.
it was completely red tinted to
start with.
we won't be using it.. but i just
wanted to see what some of the
avisynth results looked like.. part
of it is very nice.
=======================
http://originaltrilogy.com/forum/topic.cfm/cleaning-up-dirty-frames-for-scenes/post/586971/#TopicPost586971
added some screenshot comparisons:
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Asaki
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negative1 said:
Asaki said:
He's going to peddle it on street corners, in beat up cases labeled "Starkiller".
that's GOUT-killer to you fella!
haha
later
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I was going to make that joke, but didn't think the non-blog readers would appreciate inside jokes ;)
Though I suppose the joke's pretty easy to "get" as it is.
To help the analysis further, take a look at these close ups of Obi-Wan's beard -- STENDEC
lurker77
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canofhumdingers said:
I should also mention that, when scanning film the quality of the source material is incredibly important. Working with a high quality OCN or IP can certainly provide enough information to make 4k scans or better worthwhile. It's just important to understand you're not seeing anything NEAR that at even the best theater. Which then opens the debate of should the goal of home video be to reproduce what you would've seen opening night? Or provide the best possible viewing experience, even if it's technically significantly BETTER than even an absolutely perfect theatrical presentation?
Depends on when the film was made. Like I said, recent-er films go through a digital intermediate for colour correction, so what you get at the theater is no better than whatever resolution the DI was made at. Older films are analog from negative to print, so even though perceivable information drops, you're still getting a "pure" transfer - it's more of a softening than a downrezzing...
Here's a way that I like to put the debate. If you watched Star Wars in 1977, the photons from the studio lights bounced off of Mark Hamill, and were chemically transferred to film. Then that image was chemically transferred down several generations to the theatrical print. Along this line, the film that was on the set naturally reacted through each successive generation eventually into your eyes, so what you got to see was the equivalent of sitting on the set, with a hazy filter set up in front of you.
If you went to see Attack of the Clones, the studio lights bounced off of...one of the actors, and each photon was mechanically estimated almost exactly the same way each time by a digital sensor. What you got you see was a very sharp binary equivalent of the set.
So what would you prefer? A blurry direct view of the action, or a very accurate estimation of the action by a group of transistors?