Best source for the Mos Eisley speeder pass-by shot :: 1 < 3 > 5

  • Reply
  • Print
Sluggo's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

Looking at all these great caps only make me more upset at Lucas for holding back an original transfer on bluray.

When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish memes.

Check out my reconstruction of the ROTJ Shooting Script

ChainsawAsh's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

I'm gone for a little while, and I come back to this?  O.O

Holy shit, where do I sign up?

FrederikOlsen's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

Sluggo said:

Looking at all these great caps only make me more upset at Lucas for holding back an original transfer on bluray.

Yeah, at this point, it's awfully clear that all the talk about the original "not looking good" is just a bunch of corporate bullshit. This print is looking pretty good for something that may be several generations down the line. Even if George has ruined the masters, the original versions are clearly safe as long as there are prints out there.

Asaki's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

ChainsawAsh said:

Holy shit, where do I sign up?

PM -1 ;)

FrederikOlsen said:

Yeah, at this point, it's awfully clear that all the talk about the original "not looking good" is just a bunch of corporate bullshit.

Well, he wasn't lying to us, that speeder shot does look awfully grainy. However, I'd wager that those first few R2/3PO shots in the desert are equally bad, and have seen nowhere near the amount of cleanup (pre-SE).

To help the analysis further, take a look at these close ups of Obi-Wan's beard -- STENDEC

FrederikOlsen's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

True, it does, but I'd take that level of grain over DNR any day. 

As far as I can tell, you're also right about the level of grain in the first desert shots, but I'll leave any image posting to negative1.

negative1's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

FrederikOlsen said:

True, it does, but I'd take that level of grain over DNR any day. 

As far as I can tell, you're also right about the level of grain in the first desert shots, but I'll leave any image posting to negative1.

well, if you check the color timing thread,

i'm sure you'll see all kinds of neat things!

----------------------------------------------------

http://originaltrilogy.com/forum/topic.cfm/Star-Wars-Colortiming-Cinematography-was-What-changes-was-done-to-STAR-WARS-in-93/topic/9805/

 

later

-1

[no GOUT in CED?-> GOUT CED]

negative1's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

here's some more shots overlaid with the 

'safe' cropping parameters.. which is

reasonable..

===========================

 


later

-1

 

[no GOUT in CED?-> GOUT CED]

negative1's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

 

here we go..

frame 1 of the entry

to the cantina..

-------------------------------

 

 

ok,

 all the frames are like this,

very very grainy..

 

here's the scene at 720p

--------------------------

http://img6.imageshack.us/img6/9206/ep04r344201720p.jpg

 

later

-1

Last edited on March 13, 2012 at 9:42 PM by negative1

[no GOUT in CED?-> GOUT CED]

negative1's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

here's the first 10 frames,

with a little better aspect ratio:

========================

 

 

 

 

 

 

 

 

 

later

-1

[no GOUT in CED?-> GOUT CED]

budwhite's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

That's one dirty negative

Last edited on March 13, 2012 at 6:46 PM by budwhite
Darth Editous' avatar
RE: Best source for the Mos Eisley speeder pass-by shot

After a bit of Avisynth magic:

http://img198.imageshack.us/img198/2629/avisynth.jpg

DE

Harmy's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

Cool.

LIST OF MY PROJECTS

Mona Lisa Special Edition

Pennsylvania Jones said:

"Stick and Stones will break my bones but the Blu-Rays will never Harmy." 

Lucas: I am altering the film. Pray I don't alter it any further.

Fans: This film is getting worse all the time!

 

msycamore's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

That reel seems to be in fantastic condition! please leave the optical dirt alone, I know that I'm in minority in this thinking but if you're going to clean up footage that is in this good condition you may as well get rid of the orange blob under the speeder.

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com

Harmy's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

Well, not necessarily. I think what DE did there is just about perfect, because it gets it much closer to what it would have probably looked like on an earlier generation print.

LIST OF MY PROJECTS

Mona Lisa Special Edition

Pennsylvania Jones said:

"Stick and Stones will break my bones but the Blu-Rays will never Harmy." 

Lucas: I am altering the film. Pray I don't alter it any further.

Fans: This film is getting worse all the time!

 

Chicken Boo's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

Wasn't that supposed to be the point of "the project we must not speak of"? So that anyone could do whatever modifications they wanted individually?

msycamore's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

Harmy said:

Well, not necessarily. I think what DE did there is just about perfect, because it gets it much closer to what it would have probably looked like on an earlier generation print.

No, the built-in dirt was very much seen even on brand new '77 prints, I just hope -1 doesn't clean it up.

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com

Mavimao's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

Chicken Boo said:


Wasn't that supposed to be the point of "the project we must not speak of"? So that anyone could do whatever modifications they wanted individually?


Yeah pretty much. I fear Star Wars will become the Linux of the cinema world. Everyone has a different view of how Star Wars SHOULD look and the project forks into a billion different versions. And then we'll get thread after thread of.."Which version should I get?"

What's the internal temperature of a TaunTaun? Luke warm.

negative1's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

msycamore said:

That reel seems to be in fantastic condition! please leave the optical dirt alone, I know that I'm in minority in this thinking but if you're going to clean up footage that is in this good condition you may as well get rid of the orange blob under the speeder.

 

well, there will be some creative decisions..

and like harmy said.. i agree.. i like the slightly

cleaned up version.. but there *MIGHT* be a

raw untouched version, and *POSSIBLY* a

grindhouse version from the red ones.. we'll see.

obviously post questions on the blog...

 

but if it is not a dirt spot, or something on the film..

like the black spots, it will be taken out..

 

otherwise, if it was on the print, it will be left in..

 

these are raw shots, so yeah, there will be

some mild grain reduction, but when you see it

motion. even the dirty stuff is fine when watching it.

 

it's all over the movie.. so if a scene looks too clean,

it might look out of place... we've talked a lot about

what to do with this in the past. and i'm sure we'll

talk about it more in the future.

 

later

-1

[no GOUT in CED?-> GOUT CED]

negative1's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

negative1 said:

again, a few more samples ..

still working on it...

-------------------

here's our version 2, with a slightly different method..

still, these are the untouched colors.

*NOTE: my aspect ratio is off...

----------

 

 

 

 

later

-1

Last edited on March 13, 2012 at 9:25 PM by negative1

[no GOUT in CED?-> GOUT CED]

CatBus' avatar
RE: Best source for the Mos Eisley speeder pass-by shot

msycamore said:

Harmy said:

Well, not necessarily. I think what DE did there is just about perfect, because it gets it much closer to what it would have probably looked like on an earlier generation print.

No, the built-in dirt was very much seen even on brand new '77 prints, I just hope -1 doesn't clean it up.

Do we have a Verta reference for comparison?  While I'd agree it's just a dirty bad-looking shot and it should continue to look dirty and bad in a 35mm preservation, is the AMOUNT of dirt variable depending on print generation and other factors?  DE's shot looks cleaner (and more importantly to me, sharper) than I think this shot SHOULD look, but I imagine his method could still be used for a more restrained cleanup, if we see evidence that cleaner prints existed.  Also, for merging into a preservation that's already using cleaned-up sources like Harmy's, the clean look of DE's shot would blend better, although the sharpness still looks too much even for me.

Last edited on March 13, 2012 at 9:59 PM by CatBus

Project Threepio (Star Wars OOT subtitles)Languages supported by Project Threepio (click image to left)

msycamore's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

Well, it wouldn't kill me if it's slightly cleaned up, like I said I think I'm in minority here, it's just that I have a hard time to see what's so bad about these frames -1 posted other than its soft quality, the condition on it seems to be great. This was a film made in the 70's by humans, this crude optical effects footage didn't look as crisp as its surrounding footage with its extra layers of grain, the various black splotches seen in this sequence were on the original prints, a modern video transfer on Blu-ray would obviously don't leave such things in, I was just saying that I hope -1 leave it alone.

Last edited on March 13, 2012 at 10:23 PM by msycamore

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com

RU.08's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

Darth Editous said:

After a bit of Avisynth magic:

http://img198.imageshack.us/img198/2629/avisynth.jpg

DE

While that still does look good, you don't want to overdo it. It should basically look like it was done on 16mm as opposed to 35mm, because of the comp'ing done to it (and because that's how it always looked until the layers were digitally cleaned of film grain before being digitally composited for the SE).

They removed a lot more than just the "offsensive" vaseline blob.

Asaki's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

negative1 said:

again, a few more samples ..

still working on it...

Why do all these shots have dirt in different spots?

Some of the dirt in the V2 is new, some of it is only in the V1.

To help the analysis further, take a look at these close ups of Obi-Wan's beard -- STENDEC

negative1's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

Asaki said:

negative1 said:

again, a few more samples ..

still working on it...

Why do all these shots have dirt in different spots?

Some of the dirt in the V2 is new, some of it is only in the V1.

 depending on how we processed it.

the camera, capture software, lighting, etc.

all impact the final result. some lenses remove

scratches before capture. some dust and dirt

is more prominent with other lighting etc.

so we don't always get the same results.

in the end, the software will take out most of

the major dirt/spots.

later

-1

[no GOUT in CED?-> GOUT CED]

msycamore's avatar
RE: Best source for the Mos Eisley speeder pass-by shot

I guess it's only natural that most people wants this pass by shot to have the same grain quality and sharpness as the surrounding footage. That's why most optical effects were digitally recomposited for the SE in the first place. But the extra layer of grain is part of the effects technology of the time, many optical effects were even done to look as good as possible with this extra layer of grain in mind. If you remove it you're just doing the effect a disservice, removing the environment this effect were meant to occupy, the softer and grainier look helps mask any shortcomings. If you're ok with that, why not remove the matte-lines as well?

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com

Members reading this topic: None